Tag Archives: Wolf Parade

TUiW Best of 2010: The 15 Best Albums of 2010

Our Year end list-making comes to a close today our list of the year’s best albums. Be sure to add your thoughts in the comments and have a Merry Christmas!

15. Arcade Fire – The Suburbs
Over the course of three albums, Arcade Fire have become titans not just of the indie scene, but of music in general. Their third record finds the band exploring new territories musically, with solid results. Taking on the theme of urban sprawl, The Suburbs is a powerful album full that finds the band getting loud (“Empty Room”), getting quiet (“Wasted Hours”) and offering their trademark churning, building, rock songs (“Ready to Start”), creating a winning combination. (M)

14. Marnie Stern – Marnie Stern
Marnie Stern decided to choose a simpler name for her 2010 release than her second album (This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That) but that is just about the only thing that is simpler. On songs like “For Ash” and “Nothing Left,” Stern improbably bridges the gap between metal, jittery post-punk, and Animal Collective spazziness. And yet all of it is in service of a record that deftly depicts mental turmoil and depression in an engaging and exciting new way. (J)

13. The National – High Violet
After the triumph of Boxer, the National returned with another record that gets better and better with every listen. As the band has gotten older and wiser, so has their music, with lead singer Matt Berninger offering ruminations on married life and being a father as the Dessner Twins combine on the bubbling melodies below. If there was any question that the band would loose steam, High Violet more than dispelled that notion. (M)

12. Sufjan Stevens – The Age of Adz
When Sufjan released All Delighted People EP, it was a bit of misdirection, pointing at what seemed to be a continuation and slight expansion on his trademark sound, which only made The Age of Adz all the more surprising. Loaded with apocalyptic imagery and electronic instrumentation, Adz is a world away from the gentle orchestral music that Sufjan is known for. The record is dense and difficult, but immensely rewarding for the listener willing to invest some time. (J)

11. Robyn – Body Talk
It’s hard to believe that in the late 90’s, Robyn was being promoted in the States as a version of Brittney Spears and the other pop princesses of the time. It’s now clear however that Robyn was going to take that crown, just a little later. The three body talk mini albums are pop perfection, full of dancable, catchy, fun songs that become ingrained in you head, not just for days, but weeks at time. Hopefully Robyn won’t take another five years to give us a follow up, and we get more great songs like “Dancing on My Own” or “Hang With Me” soon. (M)

10. Best Coast – Crazy For You

There weren’t many records this year that were more straightforward than Crazy For You – a celebration of cats, beaches, weed, and boys. But its beauty is in its highly listenable simplicity, as Bethany Cosentino and company presented just enough variations on those themes to keep Crazy for You catchy and interesting. From “Boyfriend” to “When I’m With You,” Crazy for You was the obvious choice for soundtrack of the summer. (J)

9. Wolf Parade – Expo 86
On their first two records, Wolf Parade has had songs by Spencer Krug and songs by Dan Boeckner, but Expo 86 finds the two frontmen joining forces and crafting their most complete album yet. Expo 86 is the band’s best record to date, one that is relentless and incredibly fun to listen to. The band announced it was going on an indefinite hiatus to focus on their side projects, so until they return, but it’s a good thing we got an album this good first. (M)

8. Big Boi – Sir Lucious Left Foot: The Son of Chico Dusty
After a troubled history and numerous delays, Big Boi finally unleashed Sir Lucious Left Foot on the world and it was glorious. From the bass-rattling of “Daddy Fat Sax” and “Shutterbugg” to conspicuous consumption of “Shine Blockas” to the melancholy “Be Still,” Sir Lucious Left Foot was worth the wait. (J)

7. Superchunk – Majesty Shredding
Majesty Shredding comes after a nine year studio hiatus from Superchunk, but it sounds like they’ve hardly missed a beat. The record is full of energy and insanely catchy songs, and ranks among the band’s best. Songs like “Digging for Something” showcase Superchunk at their rockiest, while other tracks like “Fractures in Plaster” and “Rosemarie” show a maturity they gained in their years off. Listening to Majesty Shredding makes us awfully happy to have Superchunk back. (M)

6. The Walkmen – Lisbon
The Walkmen are quickly getting into the musical Twilight Zone where every record they put out is so good that it is kind of boring to talk about how great The Walkmen are. Nonetheless, Lisbon may be among their best, from the light jangle of “Juveniles” to the forlorn funeral march of “Stranded” to the blister of “Angela Surf City.” The Walkmen are a more focused band right now who are currently going through their prime, churning out great release after great release, and Lisbon follows perfectly in that series. (J)

5. Beach House – Teen Dream
Teen Dream is a record that finds Beach House growing as songwriters, adding a lush arrangements to their dreamy (no pun intended) sound. The songs on Teen Dream are far more expansive than on their last record, Devotion, with standout tracks “Walk in the Park,” “Norway,” and “Used to Be” offering a great amount of depth and variation in the band’s signature sound. Victoria Legrand’s voice floats above Alex Scally’s surprisingly bright guitar work on a record that is the sound of late, lonely nights. (M)

4. Titus Andronicus – The Monitor
It takes a mix of confidence and foolishness to attempt an hour-plus punk rock concept album about the Civil War, but it takes true genius to pull it off. With The Monitor, Titus Andronicus somehow made a record that feels both sprawling and tight, sweeping and intimate, by filtering the Civil War through modern college turmoil (or perhaps vice versa). From “A More Perfect Union” to “The Battle for Hampton Roads,” The Monitor is a record of soaring, triumphant, fist-pumping rock, concept be damned. (J)

3. Deerhunter – Halcyon Digest
On record number three, Bradford Cox and company seamlessly integrated the ambient rock of Cryptograms and the sprawling rock songs of Microcastle. The combination finds the band at their best, with a record that ebbs and flows, finding the right places to offer homage to the sounds that influenced them and the places to showcase their own. Both Cox and Lockett Pundt have crafted their best album to date with Halcyon Digest, a record that will undoubtedly prove to be influential for years to come. (M)

2. Kanye West – My Beautiful Dark Twisted Fantasy
Kanye West, the genius behind the famous Twitter account @kanyewest, decided to branch out into music this year too! All kidding aside, My Beautiful Dark Twisted Fantasy is an explosive pop record that manages to be sophistacted and complex but catchy and accessible. Certainly there are the singles – the straight-up nasty “Monster,” the soaring “Power,” and TUiW’s song of the year “Runaway” – but the album never slows down or stops to catch its breath. Many athletes famously use personal slights – real or imagined – to fuel their competitive fire. In 2010, it seems like Kanye worked the same way, molding all his turmoil and drama into one incredible record. (J)

1. LCD Soundsytem – This is Happening

With This is Happening, James Murphy and his band became the undisputed champions of their genre. As Kanye examined his self destructive tendencies, Murphy continued to examine his own status as an aging hipster, but not without giving up his goofy side, a struggle he characterizes in “Pow Pow” as having “advantages to both.” The album plays out as such, with tracks full of sincerity like “I Can Change” and “Home,” but also songs like “Drunk Girls,” where the title speaks for itself. Either way, This is Happening is a top notch record musically, with so many catchy hooks its practically impossible not to want to listen to over and over. (M)

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TUiW Radio 11.17.2010 Playlist

Today was the last TUiW Radio of 2010, and in case you missed it, here’s the playlist with some helpful links included!

TUiW Radio 11.17.2010 Playlist:

1. Cee Lo Green – “Bright Lights Bigger City”
2. John Legend & the Roots – “Our Generation (The Hope of the World)”
3. Mark Ronson & The Business INTL – “Lose It (In the End)”
4. Matt & Kim – “Camera”
5. The Walkmen – “Victory”
6. Surf City – “See How the Sun”
7. Wavves – “King of the Beach”
8. Suuns – “Arena”
9. Glasser – “Home”
10. Zola Jesus – “Poor Animal”
11. Samantha Crain – “Blueprints”
12. Thao with the Get Down Stay Down – “Body”
13. Sonny and the Sunsets – “Strange Love”
14. Of Montreal – “Id Engager”
15. Sugar & Gold – “Sneek Freq”
16. Balkan Beat Box – “Move It”
17. Star Slinger – “Extra Time”
18. Tim Fite – “Never Lay Down”
19. Clem Snide – “Beautiful”
20. The Mountain Goats – “The Sign”
21. Wolf Parade – “Yulia”
22. The Raveonettes – “Love Can Destroy Everything”
23. Jay Reatard – “Always Wanting More”
24. Vivian Girls – “Can’t Get Over You”
25. Elliott Smith – “I Don’t Think I’m Ever Gonna Figure it Out”
26. Brendan Benson – “Sucked Out”
27. Jemina Pearl – “Nashville Shores”
28. Yo La Tengo – “Something to Hide”
29. The Strokes – “You Only Live Once”

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TUiW Radio 11.10.2010 Playlist

Thanks to all that listened today! If you missed it, be sure to tune in next week from 8-10am EST at SCADRadio.org! Here’s the playlist:

TUiW Radio 11.10.10 Playlist:

1. John Legend & The Roots – “Wake Up”
2. The Walkmen – “Angela Surf City”
3. Deerhunter – “Don’t Cry”
4. Best Coast – “Goodbye”
5. No Age – “Skinned”
6. Superchunk – “Crossed Wires”
7. Elvis Costello – “Jimmie Standing in the Rain”
8. Tim Kasher – “A Grown Man”
9. Murdocks – “OMG”
10. Comic Wow – “Chimp on a Pew”
11. Robyn – “Criminal Intent”
12. Lyrics Born – “Lies x 3”
13. Swedish House Mafia – “Your Name (Feat. Pharrell)”
14. LCD Soundsystem – “All My Friends (London Session)”
15. Glasser – “Glad”
16. Panda Bear – “Comfy in Nautica”
17. Wolf Parade – “I’ll Believe in Anything”
18. The Thermals – “How We Fade”
19. Land of Talk – “Blangee Blee”
20. Elf Power – “Spidereggs”
21. My Morning Jacket – “Gideon”
22. Grizzly Bear – “Little Brother (Electric Version)”
23. The National – “About Today”

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TUiW Goes to the 2010 Pitchfork Music Festival

Pavement closes the festival

TUiW hit the 2010 Pitchfork Music Festival this past weekend, and for those that couldn’t make it out, here’s our blow by blow recap:

Friday
Arriving a little late at the festival, the first act I saw was Robyn, who brought a high energy set to the early evening of Day 1. Armed with a band that consisted of two keyboard/synth players and two drummers, Robyn started the dance party with chart-climbing single “Dancing On My Own,” but sadly left out her American breakthrough single, “Show Me Love.”

Broken Social Scene

Broken Social Scene followed, packing the stage as usual with 4-5 guitarists at once. The only downside of the set was Lisa Lobsinger, filling the role occasionally filed by Feist, Emily Haines, or Amy Millan. Lobsinger has a great voice, and “All to All” is one of my favorite tracks on Forgiveness Rock Record, but Lobsinger hardly swayed as she sang and brought little energy to the high energy band. Her bandmates however brought the fire, especially with closer “Meet Me in the Basement,” their instrumental “anthem” as Kevin Drew called it. Closing out the day were indie rock stallwarts Modest Mouse, who took to the stage with “Tiny Cities Made of Ashes” and largely played some of their deeper cuts alongside singles “Dashboard” and “Satellite Skin.” Issac Brock screamed and shared knowledge with the crowd, but it was during Modest Mouse that the first signs of Pitchfork’s poor stage setups started to show. Anyone to the side or too far past the sound tent had a hard time hearing any of the banter, and the music was garbled. All this aside though, the band put on a great show.

Saturday
Opening the day were Free Energy, the James Murphy-produced outfit that genuinely seemed overjoyed to be playing at the festival. The band bounced their way through the impossibly catchy “Free Energy” and “Bang Pop,” and most definitely won over a slew of new fans. Real Estate was a great early choice, with their gentle rocking floating through the oppressive heat before Delorean brought up the energy level with a frantic set that at times evoked M83, if M83 were huge U2 fans. They were followed by one of Saturday’s best acts, Titus Andronicus,

Titus Andronicus

who got the weekend’s first mosh pit going as they ripped through tracks from The Monitor and got the crowed to yell in unison “You’ll always be a loser!” from “The Future, Pt. 3.” The band got major props in my book for dedicating a song to a girl in attendance that they had heard had been in an accident and missed a prior show, a classy move. Unfortunately, the high of Titus Andronicus was followed with the low of Raekwon. Just after his DJ took the stage, technical problems hit, and the Wu Tang Clan member didn’t even hit the stage for another 10 minutes, where he was again slowed by technical glitches, that were followed up by a short, uninspired set that clearly had all of its energy drained from it. Over on the too small Balance Stage, the Smith Westerns put on a more than pleasant set in the shade that would have been better if the sound on the stage didn’t turn the vocals into an indecipherable mess. The smaller stage had a number of problems with, particularly that it was in a small space with limited ways in and out, but the poor sound system made it hard to hear anything if you weren’t positioned right at the sound tent. All of that was thrown out the window during Wolf Parade, who didn’t need banter to show they were clearly loving playing the festival. The band didn’t slow down at all, blasting songs from their superb Expo 86, as well as older cuts like “This Hearts On Fire” and “Soldier’s Grin.” The highlight however came with the monstrous “Kissing the Beehive” closing the set, sending the crowd into a tizzy. All of that excitement would then be immediately followed by the much dissed set by Panda Bear, which consisted mainly of Noah Lennox holding down a few keys on a synthesizer and yelping every now and then as crazy images played on the big screens. The epic scope of Person Pitch was nowhere to be found, and left me hoping that Tomboy sounds better on record than it did live. The night was closed with an epic set by LCD Soundsystem, helped in part by a crowd that was so ready to go nuts they started cheering when the giant disco ball was raised above the stage well before it started. Now, I’ve seen James Murphy and Co. a few times, but this was easily the best. Though the set lacked much of This Is Happening (only “Drunk Girls,” “Pow Pow,” and “I Can Change”), the crowd went absolutely nuts during a particularly pulsing rendition of our favorite song, “All My Friends.” Though few of the twentysomething hipsters can identify with a song about being an aging hipster, the song hit the right note, and created a frenzy of dancing and singing along that was a major highlight of the festival. Capping their set, the band played the chorus of “Empire State of Mind” before hitting the reprise of “New York I Love You, But You’re Bringing Me Down,” ending the day on a really high note.

Sunday

Best Coast

Kicking off my last day of the festival was Best Coast, a band was really excited to see. Bethany Cosentino led the trio through songs from the band’s early singles and EPs, before giving a taste of her forthcoming album Crazy For You, which sounded great. She also got in one of the best punchlines of the festival, joking, “You guys remember Woodstock in the 90s? This reminds me of that.” While Girls played a set that sounded pretty close to their record, Washed Out produced a great set of chillwave jams, but I personally had a hard time getting into a guy playing with his laptop, so it could have been better. Just as the sun went behind the clouds for a while, Beach House took the stage, bringing the soft sounds of Victoria Legrand’s voice and Alex Scally’s spiky guitar to a crowd that seemed more than happy to slowly nod their heads as they jammed along. Songs like “Walk in the Park” carry a little more power live, adding some extra punch to the Teen Dream tracks. Local Natives played to a huge crowd surrounding the tiny Balance Stage, bringing tracks from Gorilla Manor to life with their three part harmonies and thundering drums. Surfer Blood too played to a big crowd, bringing a little more rock with their now polished live act that didn’t disappoint. Next up came a phenomenal set by St. Vincent,

St. Vincent

who played all material from Actor with a tight backing band that brought the grandeur of the record into a smaller, but equally stunning sound. Annie Clark brought some of the best guitar work of the weekend to tracks like “Just the Same But Brand New” in a set that, while perhaps a bit too soft for its timeslot, was among the best of the weekend by far. Here We Go Magic impressed me quite a bit, bringing an energy I didn’t expect and getting the crowd moving through the hot afternoon. Everyone that wasn’t at Here We Go Magic was busy at Major Lazer, the Diplo-led crazy factory that featured Chinese dragons, ladder leaps, and a huge party. A Major Lazer show can really be described in so many ways, but its truthfully something that has to be seen for its total craziness be believed. Anyone that was wiped out by Major Lazer got a blast of the chillwave from Neon Indian, who brought a whole band together to groove through tacks like “Terminally Chill” for a big crowd. After Neon Indian, many people stuck around for noise duo Sleigh Bells, but with Neon Indian running over and technical delays, the band went on quite late, and apparently suffered through some sound issues, before finally breaking through and bringing the noise. Meanwhile, Big Boi led the crowd through songs from solo and Outkast repertoires, and even brought with him a crew of really awesome 10-and-under breakdancers. And then it was time for Pavement, the big draw of the weekend. With Drag City’s Rian Murphy offering a hilarious sequel to an act he used to do in Pavement’s heyday opening (highlighted by his claim that, “I’ve been listening to Pavement since 1991, so I’ve been waiting for this reunion for 20 years!”), the mood was frantic for the band, who shut down the festivals webcast under suspicious circumstances. The set was a little more uneven than their triumphant turn at Coachella, with songs like “Stop Breathin,” “Stereo,” and “The Hexx,” hitting perfectly, and others, such as “In The Mouth A Desert” and “Cut Your Hair” coming out sloppily. They still served as a fantastic closer for the weekend, which was laden with more bright spots than otherwise. Pitchfork puts on a great festival, with its small size, constant flow of sets, and high quality acts. If issues like the sound and size of the Balance Stage can get worked out, then there’s nothing to stop Pitchfork from being among the best festivals in the country.

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TUiW Guide To June 2010

Wolf Parade

Here’s TUiW monthly guide to what’s coming out this month in music and movies!

Stars - The Five Ghosts

MUSIC

06-01
Born Ruffians: Say It [Warp]
The Futureheads: The Chaos [Nul/Dovecote] [U.S. release]
Tift Merritt: See You on the Moon [Fantasy/Concord

06-08

Ariel Pink's Haunted Graffiti: Before Today [4AD]
Blitzen Trapper: Destroyer of the Void [Sub Pop]
The Chemical Brothers: Further [Freestyle Dust/Astralwerks] [U.S. release]
Deer Tick: The Black Dirt Sessions [Partisan]
Delorean: Subiza [True Panther]
Here We Go Magic: Pigeons [Secretly Canadian]
Nada Surf: If I Had a Hi-Fi [Mardev]
Rooney: Eureka [California Dreaming/ILG]
The Roots: How I Got Over [Def Jam]
Sia: We Are Born [Monkey Puzzle/Jive]
Teenage Fanclub: Shadows [Merge]
Tokyo Police Club: Champ [Mom + Pop]
Various Artists: Twistable, Turntable Man: Tribute to the Songs of Shel Silverstein [Sugar Hill]
Wye Oak: My Neighor/My Creator [Merge] [physical release]

06-15

Laurie Anderson: Homeland [Nonesuch]
The Gaslight Anthem: American Slang [SideOneDummy]
The Golden Filter: Voluspa [Brille] [U.S. release]

06-22

Stars: The Five Ghosts [Soft Revolution/Vagrant]

06-28

The Pipettes: Earth vs. the Pipettes [Fortuna POP!] [UK release]

06-29

Animal Collective: ODDSAC [DVD]

Wolf Parade: Expo 86 [Sub Pop]

MOVIES

06-04

Get Him To the Greek

Splice

06-11

The A-Team

The Karate Kid

Winter’s Bone

06-18

Toy Story 3

Jonah Hex

06-25

Grown Ups

Knight and Day

06-30

Twilight: Eclipse

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Wolf Parade Announce New Record

After spending the last two years invested in side projects Sunset Rubdown, Handsome Furs, Swan Lake, and Moonface, the members of Wolf Parade have gotten back together and recorded their third LP, Expo 86, which will come out in either June or July on Sub Pop. Dan Boeckner described the possible double album to P4k thusly:

It’s a lot more focused than the last one. There’s a lot more energy on it, and it’s hard for me to even relate it back to Apologies [to the Queen Mary] because that album seems like a long time ago. I don’t know if it’s a blend of the last two records; it’s definitely different from both of them. There’s a lot more uptempo stuff on it than there was in the last record. But it’s really dense. All the songs and arrangements are really, really dense. And it sounds like a band playing live. Parts of it are pretty noisy, too, which I’m pretty happy with.

The band will hit the road, mostly in Europe this spring and summer. Dates and the full interview with Boeckner at P4k.

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