Tag Archives: R.E.M.

A Fond Farewell to R.E.M.

After 31 years, R.E.M. are calling it quits. One of the most important bands of the last three decades, R.E.M. are responsible for the success and popularity of modern indie rock. There are obvious musical descendants, like The National, but every band on an independent label owes a little bit to R.E.M. for helping keep indies financially viable. Even after joining Warner Brothers, the band set the gold standard for artistic integrity in the MTV era, creating compelling, thoroughly enjoyable music without a hiccup for nearly 15 years. Though the band weakened a bit with the departure of drummer Bill Berry after 1997’s New Adventures in Hi Fi, the three remaining members went through a renaissance on their last two albums, 2008’s Accelerate and this year’s Collapse Into Now. Undoubtedly, their legacy will be centered into what they did between 1981 and 1995, but what the band leaves behind is a tremendous catalogue of music that very few bands can match.

While countless tributes will be offered up by writers and critics more important and influential than myself, I can’t sit by and fail to comment on a band that has meant more to be than can be put into words. I was born in the mid-80s, and by then, Murmer and Reckoning had already made the band one of the most respected and beloved bands of the decade. Because of this, I quite literally grew up on the band. I very clearly remember the first time I heard them. Driving home one night as a kid, I was in the back, clamoring for my parents to put something on. My dad told me that we were going to listen to something he and my mom wanted to hear, and he put on a mix tape of R.E.M. songs. To call the moment transformative would be a stretch, but even as a kid, I instantly fell in love with the band. I may not have known what the hell “Losing My Religion” meant, but it was an incredibly catchy song that was impossible not to be drawn to.

As I got older and dug into the band’s catalogue, I could hear R.E.M. in many new bands I was discovering. Thom Yorke’s love of Michael Stipe was evident. The Decemberists clearly were fans of Peter Buck. Countless acts aped the tight rhythm section of Mike Mills and Bill Berry. I joined fan club, feverishly downloaded every bootleg and b-side, and finally in November 2004, got a chance to see R.E.M. play in Indianapolis. During the closer, “Man on the Moon,” I bounced up and down, the guy with graying hair next to me watched on amused. “You shoulda seen them in the 80s,” he said.
By ending now, R.E.M. isn’t quitting at their peak, but at a high point, sparing us from seeing them devolve into a soulless touring entity (the Rolling Stones), lose their cool (U2) or begin to crumble internally (Metallica). Instead we’re left with the music and memories of a band that comes along only once in a generation.

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TUiW 3.14.2011 Playlist

1. TV on the Radio – “Caffeinated Consciousness”

2. Wye Oak – “Holy Holy”

3. Lands and Peoples – “In Living Colour”

4. Kurt Vile – “On Tour”

5. J. Mascis – “Very Nervous and Love”

6. Robin Pecknold (Feat. Ed Droste) – “I’m Losing Myself” [MP3] [Right Click + Save As]

7. Okkervil River – “Wake and Be Fine”

8. Parts and Labor – “Constant Future”

9. Explosions in the Sky – “Trembling Hands”

10. Lykke Li – “I Follow Rivers”

11. The Wrens – “As I’ve Known”

12. Dum Dum Girls – “Take Care of My Baby”

13. Rural Alberta Advantage – “Under the Knife”

14. R.E.M. – “Mine Smell Like Honey”

15. Art Brut – “Unprofessional Wrestling”

16. The Strokes – “You’re So Right”

17. The Pains of Being Pure at Heart – “Come Saturday”

18. Peel – “Sliding Doors”

19. Little Ones – “Cha Cha Cha”

20. Margot & the Nuclear So and Sos – “New York City Hotel Blues (Live)”

21. Superchunk – “Crossed Wires (Live on WXDU)”

22. Cymbals Eat Guitars – “Gleemer (GBV Cover)”

23. The National – “Conversation 16″

24. Little Joy – “Keep Me in Mind”

25. The Thermals – “Everything Thermals”

26. Screaming Females – “Normal”

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TUiW 3.17.2011 Playlist

After a week off, TUiW Radio is back! Check out the playlist and snag some tunes!

1. Dum Dum Girls – “Wrong Feels Right”

2. Wavves – “Horse Shoes”

3. Wye Oak – “The Alter”

4. Rural Alberta Advantage – “Stamp”

5. the Fresh and Onlys – “Do You Believe in Destiny?” [MP3, Right Click + Save As]

6. Here We Go Magic – “Hands in the Sky” [MP3, Right Click + Save As]

7. Jessica Lea Mayfield – “Grown Man”

8. The Mountain Goats – “Beautiful Gas Mask”

9. R.E.M. – “UBerlin”

10. Radiohead – “Separator”

11. TV on the Radio – “Will Do”

12. Thao and Mirah – “Eleven [ft. tUnE-yaRds]“ [MP3, Right Click + Save As]

13. Ponytail – “Easy Peasy” [MP3, Right Click + Save As]

14. The Dodos – “Don’t Stop

15. La Sera – “Sleeptalking”

16. My Morning Jacket – “Butch Cassidy (Live)”

17. Deerhunter – “Hazel St.”

18. Beach House – “Walk in the Park”

19. Grizzly Bear – “Ready Able”

20. The Weakerthans – “Civil Twilight”

21. White Rabbits – “Percussion Gun”

22. The Walkmen – “Thinking of a Dream I Had”

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TUiW Radio 1.10.11 Playlist

Hey everyone! The new year brings us a new season of TUiW Radio at SCADRadio.org! Our first show is playing this morning from 8-10 EST right here. You can follow the playlist and get links to some of the tracks right here, so stay tuned! (P.S.: Disregard the time on the logo above, our graphics department sucks)

1. The Fresh and Onlys – “Until the End of Time”

2. Screaming Females – “I Don’t Mind It”

3. Wye Oak – “Civillian”

4. Bright Eyes – “Shell Games”

5. The Decemberists – “Down by the Water”

6. The Mountain Goats – “Tyler Lambert’s Grave”

7. R.E.M. – “Discoverer”

8. Destroyer – “Chinatown”

9. Andrew Bird – “The Sifters”

10. Metric – “Hustle Rose (iTunes Session)”

11. Vampire Weekend – “Cousins (iTunes Session)”

12. Bear Ceuse – O-K-L-A-E-E-H-O-M-A

13. Laura Marling – “Alas, I Cannot Swim”

14. Camera Obscura – “Tears for Affairs (Live)”

15. The National – “You Were a Kindness”

16. Deerhunter – “Primitive 3D”

17. Free Energy – “I’m Going Down (Springsteen Cover)”

18. Surf City – “See How the Sun”

19. Titus Andronicus – “Anxiety Block”

20. Radiohead – “Bangers n Mash (Live)”

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New Tired Pony (Feat. Zooey Deschanel) – “Point Me at Lost Islands”

As supergroups go, Tired Pony has a pretty solid pedigree. The band is fronted by Snow Patrol singer Gary Lightbody, but also features legend Peter Buck from R.E.M. and Richard Colburn of Belle and Sebastian, with a debut album, The Place We Ran From, featuring guest spots M. Ward, Editors’ Tom Smith, and Indie It Girl Zooey Deschanel. That Deschanel collaboration, “Point Me at Lost Islands,” is available at the band’s website for the cost of an email address. The Place We Ran From drops September 28. Tracklist below:

The Place We Ran From:

01 Northwestern Skies
02 Get on the Road
03 Point Me at Lost Islands
04 Dead American Writers
05 Held in the Arms of Your Words
06 That Silver Necklace
07 I Am a Landslide
08 The Deepest Ocean There Is
09 The Good Book
10 Pieces

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2010 Music Releases

2009 was a great year for music, but it looks like 2010 could be even better. Big releases from Vampire Weekend and Spoon kick off a year that will also see releases from TUIW favorites Los Campesinos! and Ted Leo and the Pharmacists. There are also rumors of new records from the likes of The Arcade Fire, The National, and maybe even Radiohead. Check out our list below and a longer list here:

UPDATED 2/25

January 12

VAMPIRE WEEKEND – CONTRA

Vampire Weekend – “Horchata” (MP3)

FINAL FANTASY – HEARTLAND

January 19

RJD2 – THE COLOSSUS

January 26

THE MAGNETIC FIELDS – REALISM

BEACH HOUSE – TEEN DREAM

Beach House – “Norway” (MP3)

SPOON – TRANSFERENCE

LOS CAMPESINOS! – ROMANCE IS BORING

Los Campesinos! – “The Sea Is A Good Place To Think Of The Future” (MP3)

CHARLOTTE GAINSBOURG & BECK — IRM

Charlotte Gainsbourg (Feat. Beck) – “IRM” (MP3)

February 1

MIDLAKE – THE COURAGE OF OTHERS

February 9

YEASAYER – ODD BLOOD

Yeasayer – “Ambling Alp” (MP3)

HOT CHIP – ONE LIFE STAND

February 23

Joanna Newsom – Have One On Me

March 9

TED LEO & THE PHARMACISTS – THE BRUTALIST BRICKS

GORILLAZ – PLASTIC BEACH

BROKEN BELLS

March 16

DRIVE-BY TRUCKERS – THE BIG TO-DO

March 23

SHE & HIM – VOLUME 2

March 30

DUM DUM GIRLS – I WILL BE

April 6

DR. DOG – SHAME, SHAME

April 13

MGMT – Contratulations

May 4

The Hold Steady – Heaven is Whenever

The New Pornographers – Together

May

The National – Title TBA

September 7

THE THERMALS

September

Panda Bear – Tomboy

TBA

LCD SOUNDSYSTEM (finished)

THE AVALANCHES
INTERPOL

THE STROKES

ARCADE FIRE

CAT POWER
OF MONTREAL – FALSE PRIEST (WORKING TITLE)
THE WRENS – FUNERAL (WORKING TITLE)
WAVVES
BAND OF HORSES – NIGHT RAINBOWS
THE WALKMEN
OUTKAST
R.E.M.
JENS LEKMAN
RADIOHEAD (?)

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Review: R.E.M. – Live at the Olympia in Dublin

In the last two years, R.E.M. seems to have been revisiting their desire to release live material. Prior to 2007, the only official live R.E.M. recordings came through concert films, obscure b-sides, and bonus tracks. But in 2007, the band released Live, a fairly lackluster concert album and DVD that featured the band’s big hits, but didn’t really capture the fire the band can have in concert. This was followed with the release of two previously unreleased concerts packaged with the reissues of Murmer and Reckoning. Both were recorded early in the band’s career, when they were touring non-stop and before they had reached the massive heights that they had by the time 1994′s Automatic for the People came out. The contrast between the older shows and Live is vast, but not just because the performers themselves had gotten old. In the early 1980s, R.E.M. had a relatively small catalog, mostly full of quick rockers and no huge hits, but by 2007, fans expected to hear classics like “Man on the Moon,” “Losing My Religion,” and “Everybody Hurts.” Live also suffered from its use of material from 2005′s Around the Sun, which is easily the band’s worst record to date.

But before the shows that comprised Live were recorded, the band did a five night stand at the Olympia in Dublin which were essentially live rehearsals of material new and old, which gives us this newest release. For these shows, the band largely forgot about the material post-1990, save for a few tracks here and there. As a result, Live at the Olympia is largely comprised of early tracks, forgotten fan favorites, and songs that would appear on their return to form record, Accelerate. While this may deter casual fans and listeners unfamiliar with R.E.M., it is a two-disc run through of the some of the band’s best material that greatest hits compilations have forgotten.

During the tour for Around the Sun in 2004-2005, the band had seemed to be somewhat disconnected from one another. It’s to be expected that after 20+ years, they might not want to hang out all the time, but they seemed to be going through the motions live. Live at the Olympia totally contradicts this idea. They joke with each other about new songs, play each others’ favorites, and have the occasional slip up. The band is loose, and it sounds like it. On the opener, “Living Well is the Best Revenge,” it sounds like their instruments will break from playing them too hard. “Disturbance at the Heron House” has a miscue before beginning, but for a song that hasn’t been predominately featured in 20 years, it sounds awfully good. Even the banter is loose. Before “1,000,000,” Michael Stipe jokes, “Lots of death in this one too, I don’t know where I was in the early 80s.”

Live at the Olympia may not be the first R.E.M. compilation I’d urge new listeners to pick up (check out the best of the IRS years comp And I Feel Fine), but if you know their big hits and want to hear some of their best songs outside of them, Live at the Olympia is a must listen. Not only do you get to hear a great band rejuvenating itself, but you get to hear a great band play some of their best work. Songs like “New Test Leper” and “Harborcoat” are not songs you’d know if you didn’t know R.E.M., but they sound terrific here and are worth your time if you’re willing to listen.

Michael’s Grade: 86

Tangled Up In Wires Grade: A

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