Tag Archives: Parks and Rec

Primetime Emmy Nominations: Who Will Win

The September 18 Emmys are still a long time away, but the nominations were announced last night. Here’s our expert analysis on who will win, who should win, and who got snubbed.

BEST DRAMA SERIES

Boardwalk Empire
Dexter
Friday Night Lights
Game of Thrones
The Good Wife
Mad Men

Who Will Win: Mad Men. This is there year to break through the Breaking Bad wall. Boardwalk has a strong chance as well, but I think the boys at SCDP are going to be happy come Emmy night.

Who Should Win: Friday Night Lights. The final season of FNL was not its best (season 1 or 4), but was still very good, and getting a symbolic win in its last season would be great to see. Don’t hold your breath though.

Who Was Snubbed: Justified. Seriously, how was this show forgotten?

BEST COMEDY SERIES
Big Bang Theory
Glee
Modern Family
The Office
30 Rock
Parks and Recreation

Who Will Win: Too Close to Call. This is a really tight category, where any of these shows could take the statue, but…

Who Should Win: Parks and Recreation. Hands down the funniest show with the best cast. The show went nuts this year, with no weak episodes, and if it doesn’t win, I’ll go on a hunger strike (or probably just be mad for a few days).

Who Was Snubbed: Community. The show had a few brilliant episodes this season, including a few that were light on the wacky humor that helped build the shows fanbase, but heavy on tremendously done storytelling. A shame it didn’t get a nod.

BEST DRAMA ACTOR

Timothy Olyphant, Justified
Steve Buscemi, Boardwalk Empire
Kyle Chandler, Friday Night Lights
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House

Who Will Win: Jon Hamm. It’s his year to hold the statue before Cranston comes back. And honestly, if you saw the episode “The Suitcase,” you’ll have no problem agreeing with me.

Who Should Win: Kyle Chandler. Like FNL in the Drama Series category, this would be symbolic, though Chandler was pitch perfect in his final season as Coach Taylor, and deserves it outright.

Who Was Snubbed: This category is surprisingly tight. Not much you can argue here.

BEST DRAMA ACTRESS
Connie Britton, Friday Night Lights
Julianna Margulies, The Good Wife
Kathy Bates, Harry’s Law
Mariska Hargitay, SVU
Mirelle Enos, The Killing
Elisabeth Moss, Mad Men

Who Will Win: Elisabeth Moss. If you saw Hamm in “The Suitcase,” you know Moss deserves an Emmy for her work too. She’s past due, and this will be her year.

Who Should Win: Connie Britton. If I had a vote, I’d vote for Moss, but Britton spent five years doing phenomenal work as Tammy Taylor, and it’s sad to see her come away from it all empty handed.

Who Was Snubbed: January Jones, Mad Men. I’m not the biggest January Jones fan, and Betty didn’t have much to do this season, but when she was on screen, the whole mood of the scene changed. Betty was fascinating to watch this year, thanks in large part to Jones.

BEST COMEDY ACTRESS
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Laura Linney, The Big C
Melissa McCarthy, Mike & Molly
Martha Plimpton, Raising Hope
Amy Poehler, Parks & Recreation

Who Will Win: Amy Poehler. Tina Fey might surprise, but I think this is Poehler’s year. She was very good all season, and I think that will be hard to ignore.

Who Should Win: Amy Poehler. Seriously. She was great.

Who Was Snubbed: Alison Brie, Community. Annie is one of the sweeter, more fun characters on TV right now. Just watch her try and be someone else in the bar night episode, you’ll see what I mean.

BEST COMEDY ACTOR
Alec Baldwin, 30 Rock
Matt LeBlanc, Episodes
Jim Parsons, The Big Bang Theory
Steve Carell, The Office
Johnny Galecki, The Big Bang Theory
Louie C.K., Louie

Who Will Win: Steve Carell. He hasn’t won an Emmy yet for playing his most iconic roll, and this is the last chance. Voters won’t forget that.

Who Should Win: Louie C.K. It seems like an odd nomination, but it’s sort of Louie‘s consolation prize.

Who Was Snubbed: Joel McHale, Community. The longer he’s on Community, the better he’s getting.

OUTSTANDING SUPPORTING ACTOR, COMEDY
Chris Colfer, Glee
Jesse Tyler Ferguson, Modern Family
Ed O’Neill, Modern Family
Eric Stonestreet, Modern Family
Ty Burrell, Modern Family
Jon Cryer, Two and a Half Men

Who Will Win: Ty Burrell. It’s gotta be someone from Modern Family, and it might as well be the most consistently funny.

Who Should Win: If not Burrell, Eric Stonestreet. After Phil, Cam is among the funniest characters on TV.

Who Was Snubbed: A long list here, including Danny Pudi, Aziz Ansari, Nick Offerman, Rainn Wilson, all of whom did fantastic work this season on shows that were not Modern Family.

OUTSTANDING SUPPORTING ACTOR, DRAMA
Peter Dinklage, Game of Thrones
Josh Charles, The Good Wife
Alan Cumming, The Good Wife
Walton Goggins, Justified
John Slattery, Mad Men
Andre Braugher, Men of a Certain Age

Who Will Win: John Slattery. Like I said, it’s Mad Men’s year to break through the Breaking Bad wall.

Who Should Win: Walter Goggins or Peter Dinklage. Both were fantastic, but will certainly be forgotten come voting time.

Who Was Snubbed: Not to bring in more Mad Men, but the more the show has gone on the more I like Vincent Kartheiser as Pete, who has yet to get a nomination.

OUTSTANDING SUPPORTING ACTRESS, COMEDY
Jane Lynch, Glee
Betty White, Hot in Cleveland
Julie Bowen, Modern Family
Sofia Vergara, Modern Family
Kristen Wiig, Saturday Night Live
Jane Krakowski, 30 Rock

Who Will Win: Kristen Wiig. This will be her anointment into stardom, much the same way Tina Fey (and hopefully Amy Pohler) got her first Emmy en route to a successful movie career. She deserves it too.

Who Should Win: Julie Bowen. Claire isn’t a likable character without her.

Who Was Snubbed: Rashida Jones, Parks and Recreation. Poor, beautiful Anne.

OUTSTANDING SUPPORTING ACTRESS, DRAMA
Archie Panjabi, The Good Wife
Kelly Macdonald, Boardwalk Empire
Christine Baranski, The Good Wife
Margo Martindale, Justified
Michelle Forbes, The Killing
Christina Hendricks, Mad Men

Who Will Win: Christina Hendricks. This is a really tight category full of deserving actresses, but she’ll have the Mad Men luck behind her.

Who Should Win: Margo Martindale. If you’ve watched Justified, you know why.

Who Was Snubbed: No one here. Fantastic group of actresses.

OUTSTANDING MINISERIES OR MOVIE
Cinema Verite
Downton Abbey
The Kennedys
Mildred Pierce
The Pillars of the Earth
Too Big to Fail

BEST VARIETY SERIES
The Colbert Report
Conan
The Daily Show with Jon Stewart
Late Night with Jimmy Fallon
Real Time with Bill Maher
Saturday Night Live

OUTSTANDING REALITY PROGRAM
Antiques Roadshow
Undercover Boss

OUTSTANDING REALITY COMPETITION
The Amazing Race
American Idol
So You Think You Can Dance
Top Chef

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Parks and Recreation – “Flu Season”

We’ve only had two episodes of Parks and Recreation’s third season, but that’s all I’ve needed to once again be convinced that this is the best comedy on TV. Sorry Modern Family, Glee, Big Bang Theory and every other respected comedy. “Flu Season” was a non-stop laugh-fest, an episode that put all of the show’s strengths on display, straight from the cold open. Amy Pohler, Rob Lowe, and Chris Pratt were spot on, delivering some of the best lines of the night (see the “Other Notes” section below) in what may prove to be the shows defining episode.

With flu season running through Pawnee, Leslie was trying desperately to ignore her symptoms so she could give her presentation on the Harvest Festival for the Chamber of Commerce. As Leslie gets more and more sick, she gets more and more crazy, giving Amy Pohler plenty of room to do what she does best. Finally, she breaks and and goes to the presentation, motivated by her lack of trust of Ben. Much to his amazement, she gives a fantastic presentation, winning over the Chamber of Commerce, and then promptly turns crazy again.

Meanwhile, Chris found himself sick, a position he’s rarely been in. It gave Ann a chance to see him at his most vulnerable, and gave us a chance to see Rob Lowe tear it up, showing he belongs in the same gang of comedians that drive this show. April was right down the hall, giving Ann hell, mostly just because she could. With her sick, Ron brings in Andy to work his desk, and the two end up bonding as only Ron and Andy could. When Ron finally tells Andy that April is in the hospital, he rushes to her side, only to realize she could be asleep for hours. But when he kisses her, we get a small smile out of April, adding a nice, sweet moment to the end of a pretty goofy episode.

Rashida Jones even got a chance to shine tonight, showing off some of her comedic chops. Between being constantly flustered by Chris and tormented by April, Ann was perpetually either kicking herself or ready to kill someone. We also got some great moments between Andy and Ron, especially when after hitting a car with a football, they ran away, Ron laughing like a little girl. It was an example of how much this show packs in its humor, filling every empty space with it.

All in all, I think “Flu Season” might be Parks and Recreation’s defining episode. Every member of the cast got a chance to shine, whether it was Aziz Ansari in the hot tub or Adam Scott’s look of bewilderment when Leslie started her speech. It will probably always live in the shadow of The Office, but now that it follows it, it’s plain as day that its a much better show. This episode was nearly flawless, the perfect example of why Parks and Recreation is without a doubt, the funniest show on television.

Other Notes:
“Good evening everyone, I’m Leslie Monster, and this is Nightline.”
“Stop…pooping!”
“Leslie, I typed your symptoms into the computer, and it says you might have ‘network connectivity problems.’”

Michael’s Score: 98
TUiW Grade: A+

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Parks and Recreation – “Go Big or Go Home”

Finally, our long national nightmare is over! Parks and Rec is back, and in the post-Office time slot it deserves, and maybe it was my pure excitement to seeing the show back, but I laughed pretty damn hard throughout the entire thing, even during the odd “Previously on Parks and Recreation” thing. The cold open, of Leslie going to gather her co-workers who have been doing other things throughout the government shutdown was priceless. I can’t decide what I found funnier, Tom’s kiss-off to his manager at Lady Footlocker or Leslie heaving Jerry’s painting into the water. The show started with a bang, and never looked back.

“Go Big or Go Home” set in motion our basic story lines that we’ll be seeing, at least for the first string of episodes. Trying to get her foot in the door with Chris, Leslie sends Ann on a date with him, a plan that goes completely off book when Leslie not only shows up, but Ben does as well, suspicious of her plan. Meanwhile however, Ann finds she actually does like Chris, which looks like it will be a story that will keep Ann in the equation a little more, something that has occasionally seemed forced. On the other end of the spectrum, we perhaps see a budding relationship for Ben and Leslie, with the two of them butting heads throughout.

Meanwhile, on the goofier end of the show, you have Andy and Ron squaring off as youth basketball coaches, with Tom as their referee. I about died during Ron’s speech, featuring the “Swanson Pyramid of Greatness,” as he stood in a Bob Knight sweater (the chair throw later was priceless), and Andy’s line, “When they call me coach, I remember that I’m their coach,” was like a cherry on top of a sundae of hilarity. Once the game started however, we got to see Tom’s childish anger at Ron over him dating his ex, Wendy. There were a lot of shades of Michael Scott in that scene, but Aziz Ansari carried it pretty well, leaving poor Natalie Morales a little confused on the sideline.

And then of course, we have Andy and April. Poor, doofy Andy keeps trying to call her, like a dog that won’t leave it’s master alone, no matter how many times they say no. When April finally returns, she tells him she’s been in Venezuela, where she picked up a handsome new boyfriend. But as Andy is down in the dumps, he gets a nice pick me up speech from Leslie, to go big or go home, which works just as much for her as it does him. As Andy sets off to win back April, Leslie and the department persuade Ben and Chris to let them put on a Harvest Festival, a big event that could either save the department or get rid of it forever. It’s a risky move, but Ben approves it, thus setting in motion our first string of episodes.

The show fired on all cylinders last night, without any dull moments. There was a little bit of everything in the episode: hating on Jerry, The Bulge, Chris’ “point and name” move, a fantastic Ron Swanson scene, and many more. Even though these episodes were shot months ago with the anticipation of being aired in the fall, this one felt fresh, and not like one that had been tacked on to the end of a full season run last year. Rob Lowe and Adam Scott were little more than guest stars at the end of last season, but both got a chance to shine in “Go Big or Go Home,” and I look forward to seeing even more of them and watching their characters grow over the season.

Now, the real question surrounding Parks and Rec was how the move to the post-Office slot would pan out for them, and this morning, it’s all good news. The show got it’s highest ratings ever in all important 18-49 demographic, and it had a much higher rate of viewer retention than Outsourced did in the same time slot last fall. If that holds, NBC will be very happy.

But all that ratings jazz aside, it was just great to be back in Pawnee.

Michael’s Score: 90

TUiW Grade: A

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TUiW Best of 2010: The 10 Best TV Shows of 2010

The TUiW Best of 2010 list bonanza rolls on, now with our list of the 10 Best TV Shows of 2010.

10. Lost
It would have been impossible for Lost to answer every lingering question and appease everyone in its final season, but for those hoping for closure for the characters they had grown to know and love, it was an extremely satisfying season. Yes, it’s easy to go after things like the “Heart of the Island,” but there were so many moments, especially in the FlashSideways, that tugged at the heartstrings. Ultimately, the last season of Lost reminded us that the reason the show succeeded while the knockoffs failed because it had characters we wanted to be happy, and in that regard, the ending was a complete success. (M)

9. Treme
If there’s one thing Treme was not, it’s The Wire 2. Viewers looking for Omar and Hamsterdam and “Where’s Wallace” type scenes were bound for disappointment. Those who stuck around, however, were rewarded with a series of rich, warm character portraits. Featuring one of the best casts on TV (including standouts Melissa Leo, Khandi Alexander, Clarke Peters among others), the show felt more alive and more human than anything else currently airing. Even if some of the plot points didn’t quite gel the way we might have hoped (Sonny), the show itself made for a promising start from one of TV’s brightest visionaries. (J)

8. Louie
It’s hard for comics to successfully move their act to a sitcom setting, but Louis C.K. did it successfully in his brilliant new show. Louie is truly unlike any show on TV, a brutally honest, downright hilarious exploration of everything, whether its politics, homophophia, God, terrorism, and the challenging experience of flying, all with signature point of view of its creator. Serving as writer, director, and editor, Louis C.K. has created a comedy that plays more like a series of short films than it does a typical tv show. (M)

7. Community
Community makes it easy to focus on the gadget episodes and pop culture awareness by being so good at it. Episodes like “Modern Warfare” and “Abed’s Uncontrollable Christmas,” Community has made a name for itself with some of the smartest parody episodes ever on TV. But what makes Community a truly outstanding show is the measure of heart and empathy it displays for each one of it’s off-beat characters. From a smarmy lawyer to a high-strung overachiever, the characters on Community have transcended their simply types and become a rich collection of people. (J)

6. Boardwalk Empire
HBO has always been successful at creating full realized worlds within their shows, but Boardwalk Empire takes that to a whole new level. With stunning sets and visuals and top notch acting, the Prohibition Era drama is the successor to The Sopranos the network has been searching for. Steve Buschemi shines as Nuckie Thompson, owning the role completely, and the supporting cast is absolutely phenomenal all around. The first season of Boardwalk Empire ushered in a new era for cable dramas, one in which no idea is too big to put on the small screen. (M)

5. Terriers
The people who solve crimes on TV don’t look and act like Donal Logue and Michael Raymond-James. They don’t worry about how to make rent or take cases for a bank manager just to try to secure a loan. And their cases don’t involve women who pretend to have affairs at their husband’s insistence or helping wealthy landowners rob themselves. But Terriers wasn’t like other shows. It had a shaggy, easy-going energy that blended perfectly with its noir elements and some of the best performances on TV. Terriers could regularly punch you in the gut in a way no other TV show did and TV is a flatter place without it. (J)

4. Parks and Recreation
After a tepid first season, Parks and Recreation emerged in its second season as one of the best shows on network television. The show finally emerged from the shadow of its older brother, The Office, consistently being the funniest show in NBC’s strong Thrusday night lineup. Parks and Rec learned to play up the strengths of its phenomenal cast, with Amy Pohler leading the way, but with Aziz Ansari, Nic Offerman, Aubrey Plaza, and Chris Pratt adding just as many fantastic moments. With the late additions of Rob Lowe and Adam Scott, Parks and Rec looks like it will continue its greatness when it returns in early 2011. (M)

3. Mad Men
At the end of its third season, Mad Men liberated Don and Betty Draper from their suffocating, destructive marriage, and then spent the fourth season teaching them to beware what they wished for. This season structured itself like a series of interlocking short stories, giving the audience an even more intimate look at the show’s characters than in years’ past. And, in the end, it made all too much sense to see Don fall back into his same pattern, proposing out of nowhere to his pretty secretary while casting aside his intellectual and professional equal Faye. In the end, this season of Mad Men was about what every season of Mad Men is about: the more things change the more they stay the same. (J)

2. Party Down
It’s a shame that the best comedy of 2010 was one of the least watched or heard of shows of the same year, yet it seems fitting for a show about characters seemingly doomed for failure. The show didn’t miss a beat all season, and actually added more depth to their characters by taking them out of the parties they catered in episodes like “Steve Gutenberg’s Birthday” or “Party Down Company Picnic.” Ken Marino was once again the show’s MVP as perpetual loser Ron Donald, but I could go on and on how good the rest of the cast was. If you missed out on Party Down, you’re not the only one, but do yourself a favor and correct that. You won’t be sorry. (M)

1. Breaking Bad
I meant to recap this season of Breaking Bad, but I just couldn’t do it, at least not without watching each episode three or four times. One week, Breaking Bad could deliver episodes loaded with tension to the point of explosion and then follow them with softer hours that put a close-up focus on the people at the show’s core. Breaking Bad doesn’t let its characters out of making difficult decisions, it doesn’t go gentle on the audience, and it doesn’t play by the rules. From the compelling men at its center – Walter White and Jesse Pinkman – the fascinating characters in their orbit and even people at the periphery, Breaking Bad has created and depicted a world that is fully realized and detailed. (J)

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NBC Brings Back Parks and Rec, Adds Extra Hour of Comedy to Thursdays

If a new, free Girl Talk record wasn’t enough good news for you Monday, how about the news that NBC is bringing back Parks and Rec this January as part of a new three hour block of comedy? Works for us! The show will come back January 20 as part of an interesting move by NBC to put half hour comedies into the 10:00 hour, giving their Thursday comedy night six shows. Community will still lead off the night at 8, followed by a new show, Perfect Couples, about three different couples who are at various stages of their relationships. The Office stays at 9:00 and will lead into Parks and Recreation at 9:30, which should benefit from the larger audiences tuning in for Steve Carell’s final episodes as Michael Scott. 30 Rock will move to 10:00 and Outsourced will round out the night. It’s going to be interesting to see how the move plays out, but above all, it’s going to be great to see the folks of Pawnee back on TV.

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Television Critics Association Awards Nominees Released

If you’re like us here at TUiW, you’ve probably been dying the last few days waiting for a little entertainment related news. Well we finally have a little something to break up our Summer TV Club! The Television Critics Association announced the nominees for their awards today, and while they aren’t the most prestigious of awards, they are the first of the season to hand down nods. Here are the nominations, along with a little TUiW analysis:

Individual achievement in drama:
Bryan Cranston (“Breaking Bad,” AMC)
John Lithgow (“Dexter,” Showtime)
Julianna Margulies (“The Good Wife,” CBS)
Aaron Paul (“Breaking Bad,” AMC)
Katey Sagal (“Sons of Anarchy,” FX)

A bit of a wide open category. Lithgow and Cranston are the defending champs in the Emmy Best Dramatic Actor category, and I’d think that Cranston has a slight edge given the adoration over this season of Breaking Bad. Julianna Marguiles is probably the dark horse here, given that her show is on a network and too has been loved by critics. Smart money’s on Cranston though.

Individual achievement in comedy:
Ty Burrell (“Modern Family,” ABC)
Jane Lynch (“Glee,” Fox)
Nick Offerman (“Parks and Recreation,” NBC)
Jim Parsons (“The Big Bang Theory,” CBS)
Eric Stonestreet (“Modern Family,” ABC)

Another wide open race in a great category. I’m not the biggest Glee fan, but Jane Lynch has lifetime support from me, and Ty Burrell and Eric Stonestreet are equally deserving. If I had to pick, I’d pick Ron Fucking Swanson, to win, but that has a lot to do with my undying love of Parks and Rec more than anything else. Jim Parsons’ character on The Big Bang Theory is the most annoying of them to me, but critics seem to love that show, so don’t count him out at all.

Outstanding achievement in news & information:
“30 for 30” (ESPN)
“America: The Story of Us” (History Channel)
“Life” (Discovery Channel)
“The Daily Show” (Comedy Central)
“The Rachel Maddow Show” (MSNBC)

While it’s hard to root against the Daily Show, the ESPN 30 for 30 series has been consistently great each time. Maddow gets the sole news entry here. Suck it Glen Beck!

Outstanding achievement in youth programming:
“Dinosaur Train” (PBS)
“iCarly” (Nickelodeon)
“Star Wars: The Clone Wars” (Cartoon Network)
“Word Girl” (PBS)
“Yo Gabba Gabba” (Nick Jr.)

I’m rooting for the show called Dinosaur Train because that sounds AWESOME.

Outstanding new program:
“Glee” (Fox)
“Justified” (FX)
“Modern Family” (ABC)
“Parenthood” (NBC)
“The Good Wife” (CBS)

I think this is really a showdown between the two hottest new shows in the land, Modern Family and Glee, but I wouldn’t discount The Good Wife, which got higher critical acclaim than I would have expected. Really for the last year however, it’s been all about Glee and Modern Family, and I’d be surprised if one of the two didn’t win (Ed. Note: Hopefully Modern Family. I understand the appeal of Glee, but it doesn’t really do it for me).

Outstanding achievement in movies, miniseries and specials:
“Life” (Discovery Channel)
“Temple Grandin” (HBO)
“The Pacific” (HBO)
“Torchwood: Children of Earth” (BBC America)
“You Don’t Know Jack” (HBO)

HBO seems primed to take home an award for…something. All three of their nominees here are about on the same plane, and since HBO never loses in this category, I think it will be one of those three.
Outstanding achievement in drama:
“Breaking Bad” (AMC)
“Lost” (ABC)
“Mad Men” (AMC)
“Sons of Anarchy” (FX)
“The Good Wife” (CBS)

An interesting set of shows for sure. Lost is probably out of the running because its end infuriated so many, and Sons of Anarchy doesn’t seem like it would take the cake. The Good Wife has an outsider’s chance, but my money is on Breaking Bad. While Mad Men too has a really great shot, Breaking Bad has reached a point where nearly every new review calls it the best episode the show has ever done. If they’re going to overtake they’re slightly older sibling, this is the year.

Outstanding achievement in comedy:
“Glee” (Fox)
“Modern Family” (ABC)
“Parks and Recreation” (NBC)
“Party Down” (Starz)
“The Big Bang Theory” (CBS)

First and foremost, I’m thrilled to see Party Down get nominated, and included in such a strong group. That being said, I think this is the category where the loser of the Best New Show category gets their win. The Big Bang Theory is hugely popular, but from the TV Critics Association stand point, they’d be fairly hypocritical not to give it to one of their two most adored shows. I’d vote for Parks and Rec, and I have a feeling its in play, but I think this really again boils down to Glee and Modern Family.

Career achievement:
James Garner
Bill Moyers
Sherwood Schwartz
William Shatner
Dick Wolf

It’s a career achievement award for a reason. Anyone’s game.

Heritage award:
“24”
“M*A*S*H”
“Law & Order”
“Lost”
“Twin Peaks”

I’m surprised to see both Lost and 24 mixed in with M*A*S*H and Law & Order (either of which will win), but Twin Peaks stands out too as the odd duck here.

Program of the year:
“Breaking Bad” (AMC)
“Friday Night Lights” (DirecTV/NBC)
“Glee” (Fox)
“Lost” (ABC)
“Modern Family” (ABC)

No Mad Men?! Sacrilege! But in all seriousness, I see Breaking Bad or Modern Family as front runners, with Breaking Bad having the edge. Glee has a shot, but I think the other two had a bit more substance to them as far as overall program of the year. Lost will again encounter the problem of having so many people angry at their finale, but it has a shot if more voters loved it than hated it. Friday Night Lights was tremendous this season, but the fact that this is its sole nomination says to me that the voters are concentrated on the other shows in the category. I think the folks at Breaking Bad will be going home happy.

Let us know your thoughts! Who should win?

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Parks and Rec – “Freddy Spaghetti”

Earlier in the week, I took a big shot at NBC due to their decision to make Parks and Rec a midseason replacement next year in favor of the horrendous looking Outsourced (anyone else cringe during that commercial for it last night?), but I think I’ll do it again. Good job NBC, you’re going to bench you best comedy, which is already in production of its second season. That’s right, NBC renewed a show early to put it into production early, and now they’re going to let the episodes they’re filming RIGHT NOW sit for SEVEN MONTHS. As I said during the Conan Debacle, it’s no surprise you’re in last place.

Now that that’s out of my system, let’s talk “Freedy Spaghetti.” When we last left Pawnee, President Bartlett had decided to call the Republican Speaker’s bluff and the government was shut down completely. As a result, state auditors Ben and Chris are visited each day by Leslie, despite her status as non-essential personnel. Making matters worse for our Deputy Director of Parks and Recreation, she isn’t seeing her friends, the people of Pawnee are furious that they can’t use the parks and have to have their kids in their homes, and Mark has taken an offered buyout and is leaving city hall to pursue work in the private sector. Leslie gets pushed over the edge though when the budget crisis causes the cancellation of a concert by Freddy Spaghetti, a children’s singer that does songs with pasta in them (“Penne and the Jets” was my favorite).

Not to be deterred, Leslie rounds up the Parks Department and Anne, and manages to get the concert set up on the Lot Formerly Known as The Pit. Little does she know however that in city hall, Ron, who was previously thinking of ways to slash the city budget for his personal delight, is vigorously defending Leslie’s job which Ben wants to do away with. It’s here that he lets slip the fact that Leslie is setting up the concert on her own. This rattles Ben, but Ron gets there first to warn Leslie, who stands up for their work, saying it was all done with donations.

The only problem? When the concert was canceled, Freddy Spaghetti booked another gig. At a library. Not to worry, there’s Andy’s band, Mouse Rat! They can just substitute “sex” or “pickle” in the song “Sex Hair,” and they’re set! The problems are solved for about 30 seconds, when Any promptly crashes his new motorcycle and breaks his hand. It appears that Leslie is going to have to go on for the crowd, when out of nowhere, Freddy Spaghetti shows up and tells her Ben offered to pay for him, and since it was more than those bastards at the library, he was happy to do it. For the second episode in a row, Ben and Leslie put their differences aside and realize that the other is just trying to prove they can do their job as best as possible.

On the romantic front, April is still pissed at Andy from her birthday, and when he finally tells her that he likes her in a “romantical” kind of way, she says she likes him too, but they can’t go out, not if he still has any feelings for Ann. Anneherself is busy rejecting the advances of Chris, telling herself its because she always does something crazy after a break up, which sorta makes sense I guess? Anyway, when Andy is in the hospital, she gets sentimental and kisses him, something she immediately regrets. Upon hearing the news of the accident, April rushes to the hospital, tells Andy she was wrong, that they can go out, and they share an awkward but really sweet kiss. Unfortunately, poor Andy does the right thing by telling her about Ann’s kiss, and April runs out on him. Tom meanwhile is very happy with his new girlfriend Lucy, but his world kind of falls apart at the end when he discovers that Ron has slept with his ex-wife. That’s cold Swanson.

The episode ended on a bit of a sweet note, as Mark and Leslie share a moment at The Lot, but in a much more bittersweet way than the one they shared at the Pit last season. Mark gives his vote of confidence in Leslie and leaves her with a set of plans for a park to go on The Lot. It was a sweet ending for a manic episode and season, and a nice goodbye for the departing Paul Schneider.

Overall, “Freddy Spaghetti” felt a little rushed (perhaps the online “producers cut” will fix that, much as the one for last week did), but it was a good episode of a show that a year ago was largely unimpressive. The change that Parks and Rec went through this season has been noted virtually everywhere, but it’s worth noting again how great it became. It’s finally didn’t have a “whoa!” moment like Community, but there’s a lot set up for next season that will really great to see. Parks and Rec for me has become what The Office was in it’s second and third season: and ensemble comedy that has as much heart and emotion as it does laugh out loud humor. It’s going to be a very long wait before we go back to Pawnee, but in the meantime, share Parks and Rec with your friends to help out the best comedy on TV.

Other Notes:

- Ron’s gunshot ringtone was amazing. I loved how amused he was at everyone’s terror.

- A chicken leg wrapped in bacon is called a Swanson.

- “What am I going to do with my kids, keep them in my house?  Where I live?”

- “Suck it, Paris, France!”

- One last Jerry joke before the season ends, and it was a good one.

- Favorite moments of the season? I couldn’t think of just one…I’ll share some in the comments section, and you should too!

Michael’s Score: 81

TUiW Grade: A-

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Parks and Rec: “The Master Plan”

Here it is folks, the first episode with Rob Lowe and Adam Scott! NBC has been touting the arrival of Lowe over the last two weeks, but it turns out, at least in this first episode, that it was Scott who was getting the bigger role. That didn’t matter as much to me as the question of how the show would do with integrating the new characters without messing up the winning formula they figured out this season. I wasn’t too worried after Michael Shur and Gregg Daniels seamless did the same for The Office in its third season. Good news: it worked out better than imagined.

“The Master Plan” revolved around two overlapping plots: the arrival of two state auditors (Lowe and Scott) and April’s 21st Birthday. The arrival of the auditors instantly frustrates Leslie, who thinks they’re going to come in and slash everything and fire everyone, as thought that fills Ron with giggling glee. While Lowe is the charming, handsome health supplement lover that points and makes eye contact to try and remember people’s names, Scott’s Ben is a more serious guy that blames the faulty Pawnee government for all the problems. Leslie lashes out at him harshly for asserting such a thing as Ron wonders what’s a “non-gay way to ask him to go camping with me.”

April’s 21st Birthday is a moment that she and Andy accept her as an adult, which means they two could get together. Andy has always seemed to be the one that was resistant to the idea, so knowing that he actually did like April was kind of sweet. Meanwhile, Ann and Mark have officially broken up, and though she’s glad for that fact, she also seems a little bummed that it didn’t work out. Tom too has a lot hedging on the party, as he’s invited several girls with the hopes that he’ll hook up with one of them.

The party doesn’t quite pan out the way that anybody wants it to. April and Andy have a tentative hello that seems to indicate things will go in the right direction, but then a really drunk Ann grabs Andy and starts talking to him about their relationship. April sees this and in the same jealousy we saw at the telethon, grabs the douche-supreme Jean Ralfio, which clearly does the trick on Andy, though both he and April end up pretty sad about it. Tom is striking out with every girl he’s brought with him, and as I said, Ann is really really drunk. It was finally a chance for Rashida Jones to get some big comic moments this season. I’ve felt she’s the most underused character on the show, and I was glad to see her get a really funny moment. If all of this weren’t bad enough, Leslie tells Ben to get out, and for the second time is really mean to him.

The next morning everything is vastly more complicated. Ann apparently made out with someone, but can’t remember who (her brief scare that it was Jerry was hilarious), and Leslie has to face the facts with Ben. After berating him again, they go out for a beer (at 10:30) to figure stuff out. Ben reveals who he really is: a guy who became mayor of his small Wisconsin town when he was 18, and subsequently ran it into the ground. Ever since, he’s been working as an auditor to try and prove he can be responsible when running a government, something Leslie can get behind, so she drops her beef.

April is still pretty upset about the whole deal with Andy, and there’s a great scene where Ron tries to comfort her despite neither of them wanting that to happen, and somehow there’s an understanding that was some great silent comedy between Nic Offerman and Aubrey Plaza. Andy too is a little heartbroken, as he plays his song for April, “November,” which was incredibly sweet, even though it was in Andy’s usual Dave Matthews style. Tom is the one that truly comes out on top, as he meets a cute bartender, Lucy (Natalie Morales), when he goes to settle his bar tab from the night before, and they share a few laughs over awkward, inappropriate sex jokes. He successfully asks her out, and it’s all capped off by a goofy excited smile from Aziz Ansari that absolutely killed me.

Back at City Hall, Ann discovers it was Rob Lowe who she made out with. Though he definitely was excited about seeing her again, she appeared to be super embarrassed about the whole thing. Leslie and Ron go in for their meeting with the auditors, and though they’re submitted a pretty good proposal for cutting the budget, they found out the government of Pawnee is being shut down, the product of a budget crisis. Predictably, though also hilariously, Leslie reacts in utter horror while Ron stifles girlish giggles.

“The Master Plan” was yet another example of why Parks and Rec is the best comedy on TV right now. It had a solid story that was full of laughs and was so well put together. Rob Lowe’s goofy character at first seemed about out of his range, but as he popped up more and more, I realized he’s absolutely perfect for it. Ben has shades of Scott’s other notable character, Henry Pollard on Party Down (I really wanted someone to ask him, “Are we having fun yet?!”), but he seems like he’ll perfectly fit in on the show. I really defy you to find a better “please get together” couple than Andy and April on TV, and Amy Pohler has really made Leslie one of my favorite characters on TV right now. Parks and Rec is firing at all cylinders going into the finale, and I’m really excited to see where they go from here.

Michael’s Score: 96

TUiW Grade: A

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Parks and Rec – “Telethon”

One of the best things that Parks and Rec has been able to do is keep fictional Pawnee a small town while giving it the adventures of a larger government. Take for example the episode earlier this season when they get a visit from a delegation from their sister city in Venezuela. One one level, it seems natural to have a foreign sister city as a way of trying to bolster your little city. On another, it was a chance for them to have a “diplomacy” episode, and jest about international relations. The same goes for the reoccurring jokes about Pawnee Today, a public access show that seemingly no one and every one watches. Some things like that don’t seem to be all Leslie’s warped view on local government, as everyone else gets as invested.

“Telethon” was yet another perfect example of that. Leslie volunteered herself and the Parks Department (and Ann) to work the annual Diabetes Telethon, and picking the 2-6am slot for them to do all their work. Leslie is typically excited, making everyone t-shirts that say “Let’s Die-a-beat This,” (four hours coming up with the slogan, four hours embroidering the shirts), while the rest of the gang has absolutely no interest in staying up all night, particularly Jerry, who was hoping for some private time with his wife. Before the telethon, Mark shares the news with Leslie that he’s considering proposing to Ann, news that elates Leslie and sends her into a tizzy of outlandish ideas of how he should do it.

Leslie’s plan for the telethon is simple: Tom picks up their special guest, former Indiana Pacer Detlef Schrempf, brings him to the telethon, and they make a ton of money for diabetes while she eats Nutriyum Bars to stay awake. All of this sounds good in theory until Tom decides to take Detlef Schrempf to the club where he gets drunk on two light beers and delays the telethons big draw. Also, Ron can’t help answer phones because he needs a solid five hours of sleep, and has a condition called sleep fighting, which isn’t too bad, unless he’s losing the fight. In an effort to try and save the floundering telethon, Leslie convinces Mark to propose to Ann on the air.

To stall for time before either Mark proposes or Tom and Detlef Schrempf show up, Leslie has Mouse Rat play early, counts how many times a flipped coin goes heads or tails, has Ron demonstrating how to fix a chair, and has Jerry play the piano, which despite its beauty, hilariously had the rest of the Parks Department covering their ears in agony. Ann finally wrangles Leslie to talk, as she’s been trying to all episode and reveals that she wants to break up with Mark, which complicates things even more. In her panic as Mark comes up on stage, Leslie decides the only way to stall is for everybody to drop their pants, which she does for the second time on Pawnee Today this season. In the end, she convinces Mark that proposing on TV was a bad idea without revealing that Ann wants to break up, and Tom finally brings Detlef Schrempf, who donates $5000, and puts Leslie past her $20,000 goal.

Wondering about April and Andy, the most bizarre “please let them get together!” couple of all time? After being enthralled by a Mouse Rat performance, April tries to make Andy jealous by aggressively flirting with a random caller and asking him to come down. It doesn’t phase Andy, who asks in perfect ignorance if April was talking to a girl. Unfortunately for April, the guy actually comes down to the station, and turns out to be a creeptastic Sewage Department worker (another nice callback), and when he gets aggressive, Andy steps in and defends April, giving her a rare smile. I think what has made this whole plot so convincing and fun to watch has been Aubrey Plaza and Chris Prat, who play their characters so well. The fact that Andy and April are such complete opposite makes at least April’s crush seem so interesting to watch.

All in all, “Telethon” was a good summation of where Parks and Rec has headed this season for a lot of reasons. The episode (written by Amy Poehler) had a litany of callbacks (everyone hates Jerry, Sweetums/Nutriyum, Pawnee Today, Ron’s woodworking, Mouse Rat, the tax class teacher, Leslie’s hatred of salad), none of which bogged down the episode’s singular plot. Much like The Office did in its first season, the larger stories (Ann and Mark, April and Andy) are accessories to the episodic plot. While you may wonder what’s next for Ann and Mark, you’re so focused on laughing through this disaster ridden telethon that it’s not the first thing in your mind. I’ve said it all year, and I’ll say it again: tell your friends to watch this show.

Other Notes:

-Donna on the phone was hilarious. She’s the best one-liner character on the show, hands down.

-Parks and Rec also has some of the best opens and closes in all of TV. Tonight was no exception with Ron and the puppy and Leslie’s unwakable sleep.

-Big changes are afoot in these final episodes with the addition of Rob Lowe and Adam Scott as two auditors coming in to keep the Parks Department financially afloat. I look forward to seeing what the show does with this (and another, which I won’t mention because it’s kind of a spoiler) pretty significant change.

Michael’s Score: 85

TUiW Grade: A-

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