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84th Academy Award Nominees: Who Will Win, Who Should Win, and Who Was Snubbed

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The nominations for the Oscars went out this morning and with them, the first round of quick reactions and predictions. After several months of following smaller, but not insignificant awards, here are our official predictions and complaints. Agree? Disagree? Let us know!

Best Picture

The Artist

War Horse

Moneyball

The Descendants

Tree of Life

Midnight in Paris

The Help

Hugo

Extremely Loud and Incredibly Close

Who Will Win: The Artist. It’s had all the steam throughout the early awards season, and it doesn’t appear any of the other films have the clout to take it down.

Who Should Win: Really it’s a wide open category if The Artist loses, but look for The Descendants to take the statue if Oscar voters aren’t into French silent films.

Who Was Snubbed: Young Adult. Not a single nomination for Jason Reitman’s latest. It’s surprising The Girl With the Dragon Tattoo got nothing, but the lack of any love for Young Adult is a travesty.

Best Actress

Meryl Streep, The Iron Lady

Viola Davis, The Help

Michelle Williams, My Week With Marilyn

Glenn Close, Albert Nobbs

Rooney Mara, The Girl With the Dragon Tattoo

Who Will Win: Michelle Williams. She’s clearly been the front runner through most of awards season and though Meryl Streep has had a lot of buzz, Williams is by the far the safest bet of all nominees.

Who Should Win: If not Williams, it will be Meryl Streep. The other three nominees are all deserving, but Oscar politics always trump anything else.

Who Was Snubbed: Tilda Swinton. I’m not sure if We Need to Talk About Kevin was eligable for the Oscars, but if it was, it’s a travesty she didn’t get a nod. Also deserving: Charlize Theron, who carried Young Adult.

Best Actor

Jean Dujardin, The Artist

Gary Oldman, Tinker Tailor Soldier Spy

George Clooney, The Descendants

Brad Pitt, Moneyball

Demián Bichir, A Better Life

Who Will Win: George Clooney. He has a Supporting Actor award already, and as is the Oscar way, he’ll win because it’s his time.

Who Should Win: Honestly, this category is dynamite. If it’s not Clooney, expect either Oldman, Dujardin, or Pitt, in that order.

Who Was Snubbed: Michael Fassbender for Shame and Michael Shannon for Take Shelter. Two of the most talked about performances of the year got no attention. I expected at least one to get a nod, and it’s surprising neither of them did.

Best Supporting Actress

Octavia Spencer, The Help

Bérénice Bejo, The Artist

Jessica Chastain, The Help

Melissa McCarthy, Bridesmaids

Janet McTeer, Albert Nobbs

Who Will Win: Jessica Chastain. Sometimes the Oscars are about welcoming people into the community of Oscar winners, and after a huge year, expect Chastain to get that honor.

Who Should Win: This is another loaded category in which anyone has a convincing argument, but if it’s not Chastain, Bejo could steal the show.

Who Was Snubbed: Though she really didn’t get nominated for any other awards, Shailene Woodley from The Descendants deserved at least a little attention for her breakthrough performance.

Best Supporting Actor

Christopher Plummer, Beginners

Kenneth Branagh, My Week With Marilyn

Nick Nolte, Warrior

Jonah Hill, Moneyball

Max Von Sydow, Extremely Loud and Incredibly Close

Who Will Win: Christopher Plummer. This is the closest thing to a lock in this year’s ceremony.

Who Should Win: Honestly, Plummer. He owns Beginners and is truthfully the most deserving.

Who Was Snubbed: Albert Brooks. Without a doubt the biggest snub of the Oscars. Though no one expected him to beat Plummer, not even getting nominated was absolutely crazy. Special Mention also goes to Patton Oswalt for Young Adult.

Best Director

Alexander Payne, The Descendants

Michel Hazanavicius, The Artist

Martin Scorsese, Hugo

Woody Allen, Midnight in Paris

Terrence Malick, Tree of Life

Who Will Win: Martin Scorsese. When Oscar voters are in doubt, they always go with one of the all time greats.

Who Should Win: Alexander Payne. Consider it the consolation prize for The Descendants if The Artist picks up Best Picture.

Who Was Snubbed: David Fincher is notably absent from this list, but given the overall lack of love for The Girl With the Dragon Tattoo, it’s not too surprising.

Best Original Screenplay

Michel Hazanavicius, The Artist

Kristen Wiig and Annie Mumolo, Bridesmaids

J.C. Chandor, Margin Call

Woody Allen, Midnight in Paris

Asgar Farhadi, A Separation

Who Will Win: Woody Allen. Midnight in Paris was a phenomenal film, and given his uneven work in the last 10 years, this could be the Academy’s last chance to honor one of the greats.

Who Should Win: Kristen Wiig and Annie Mumolo have the best shot at sneaking in if Allen doesn’t win. Hazanavicius has a shot as well, but he’ll win elsewhere, leaving the door open for the breakthrough comedy duo.

Who Was Snubbed: Diablo Cody for Young Adult. It’s ridiculous this film didn’t get a single nomination. It rank with Albert Brooks as one of the biggest snubs of the year.

Best Adapted Sceenplay

Alexander Payne, Nat Faxon and Jim Rash, The Descendants

John Logan, Hugo

Aaron Sorkin and Steven Zaillian, Moneyball

George Clooney, Grant Heslov, Beau Willimon, Ides of March

Peter Straughan and Bridget O’Connor, Tinker Tailor Soldier Spy

Who Will Win: Payne, Faxon, and Rash. Again, look for The Descendants to pick up a bunch of awards that aren’t Best Picture. That’s not to detract from the fact that they actually deserve this award though.

Who Should Win: If the Descendants  lose, the safe money is on Sorkin and Zaillian, picking up Moneyball’s consolation prize.

Who Was Snubbed: Yasmina Reza and Roman Polanski for Carnage. Easily one of the funniest films I saw all year.

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Oscar Round-Up: The King’s Speech Dominates

Last night’s Oscars weren’t full of a lot of surprises, especially at the top, where The King’s Speech took home the awards for Best Picture, Best Original Screenplay, Best Actor for Colin Firth and, in a slight surprise, Best Director for Tom Hooper, who beat out David Fincher for the Social Network. Speaking of the Facebook movie, the early Oscar frontrunner only ended up with two statues, one for Trent Reznor and Atticus Ross for Best Original Score and the other for Aaron Sorkin for Best Adapted Screenplay. Also unsurprisingly, Natalie Portman won Best Actress for Black Swan, and Melissa Leo and Christian Bale won the supporting categories, both for The Fighter. See the complete list below:

BEST PICTURE:
Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

DIRECTING:
Darren Aronofsky, Black Swan
David O. Russell, The Fighter
Tom Hooper, The King’s Speech
David Fincher, The Social Network
Joel and Ethan Coen, True Grit

ACTOR IN A LEADING ROLE:
Javier Bardem, Biutiful
Jeff Bridges, True Grit
Jesse Eisenberg, The Social Network
Colin Firth, The King’s Speech
James Franco, 127 Hours

ACTRESS IN A LEADING ROLE:
Annette Bening, The Kids Are All Right
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter’s Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine

ACTOR IN A SUPPORTING ROLE:
Christian Bale, The Fighter
John Hawks, Winter’s Bone
Jeremy Renner, The Town
Geoffrey Rush, The King’s Speech
Mark Ruffalo, The Kids Are All Right

ACTRESS IN A SUPPORTING ROLE:
Amy Adams, The Fighter
Helena Bonham Carter, The King’s Speech
Melissa Leo, The Fighter
Hailee Steinfeld, True Grit
Jackie Weaver, Animal Kingdom

ADAPTED SCREENPLAY:
127 Hours (Fox Searchlight), Screenplay by Danny Boyle & Simon Beaufoy
The Social Network (Sony Pictures Releasing), Screenplay by Aaron Sorkin
Toy Story 3 (Walt Disney), Screenplay by Michael Arndt. Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit (Paramount), Written for the screen by Joel Coen & Ethan Coen
Winter’s Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini

ORIGINAL SCREENPLAY:
Another Year (Sony Pictures Classics), Written by Mike Leigh
The Fighter (Paramount), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson. Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception (Warner Bros.), Written by Christopher Nolan
The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
The King’s Speech (The Weinstein Company), Screenplay by David Seidler

FOREIGN LANGUAGE FILM:
Biutiful
Dogtooth
In a Better World
Incendies
Outside the Law

ANIMATED FEATURE FILM:
How to Train Your Dragon
The Illusionist
Toy Story 3

CINEMATOGRAPHY:
Black Swan (Fox Searchlight) Matthew Libatique
Inception (Warner Bros.) Wally Pfister
The King’s Speech (The Weinstein Company) Danny Cohen
The Social Network (Sony Pictures Releasing) Jeff Cronenweth
True Grit (Paramount) Roger Deakins

FILM EDITING:
Black Swan (Fox Searchlight) Andrew Weisblum
The Fighter Paramount Pamela Martin
The King’s Speech (The Weinstein Company) Tariq Anwar
127 Hours (Fox Searchlight) Jon Harris
The Social Network (Sony Pictures Releasing) Angus Wall and Kirk Baxter

DOCUMENTARY:
Exit through the Gift Shop (Producers Distribution Agency) Banksy and Jaimie D’Cruz A Paranoid Pictures Production
Gasland Josh Fox and Trish Adlesic A Gasland Production
Inside Job (Sony Pictures Classics) Charles Ferguson and Audrey Marrs
Restrepo (National Geographic Entertainment) Tim Hetherington and Sebastian Junger An Outpost Films Production
Waste Land Lucy Walker and Angus Aynsley (Arthouse Films) An Almega Projects Production

DOCUMENTARY SHORT SUBJECT
Killing in the Name (dir: Jed Rothstein)
Poster Girl (dir: Sara Nesson)
Strangers No More (dir: Karen Goodman and Kirk Simon)
Sun Come Up (dor: Jennifer Redfearn and Tim Metzger)
The Warriors of Qiugang (dir: Ruby Yang and Thomas Lennon)

ORIGINAL SCORE:
How to Train Your Dragon (Paramount) John Powell
Inception (Warner Bros.) Hans Zimmer
The King’s Speech (The Weinstein Company) Alexandre Desplat
127 Hours (Fox Searchlight) A.R. Rahman
The Social Network (Sony Pictures Releasing) Trent Reznor and Atticus Ross

ORIGINAL SONG:
Coming Home from Country Strong (Sony Pictures Releasing (Screen Gems)) Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
I See the Light from Tangled (Walt Disney) Music by Alan Menken Lyric by Glenn Slater
If I Rise from 127 Hours (Fox Searchlight) Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
We Belong Together from Toy Story 3 (Walt Disney) Music and Lyric by Randy Newman

VISUAL EFFECTS:
Alice in Wonderland (Walt Disney) Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows Part 1 (Warner Bros.) Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter (Warner Bros.) Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Inception (Warner Bros.) Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Iron Man 2 (Paramount and Marvel Entertainment, Distributed by Paramount) Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

ART DIRECTION:
Alice in Wonderland (Walt Disney), Robert Stromberg (Production Design), Karen O’Hara (Set Decoration)
Harry Potter and the Deathly Hallows Part 1 (Warner Bros.), Stuart Craig (Production Design), Stephenie McMillan (Set Decoration)
Inception (Warner Bros.), Guy Hendrix Dyas (Production Design), Larry Dias and Doug Mowat (Set Decoration)/span>
The King’s Speech (Paramount), Eve Stewart (Production Design), Judy Farr (Set Decoration)
True Grit (Paramount), Jess Gonchor (Production Design), Nancy Haigh (Set Decoration)

COSTUME DESIGN:
Alice in Wonderland (Walt Disney) Colleen Atwood
I Am Love (Magnolia Pictures) Antonella Cannarozzi
The King’s Speech (The Weinstein Company) Jenny Beavan
The Tempest (Miramax) Sandy Powell
True Grit (Paramount) Mary Zophres

MAKEUP
Barney’s Version, Adrien Morot
The Way Back, Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
The Wolfman, Rick Baker and Dave Elsey

SHORT FILM, ANIMATED
Day & Night (dir: Teddy Newton)
The Gruffalo (dir: Jakob Schuh and Max Lang)
Let’s Pollute (dir: Geefwee Boedoe)
The Lost Thing (dir: Shaun Tan and Andrew Ruhemann)
Madagascar, carnet de voyage (Madagascar, a Journey Diary)

SHORT FILM, LIVE ACTION
The Confession (dir: Tanel Toom)
The Crush (dir: Michael Creagh)
God of Love (dir: Luke Matheny)
Na Wewe (dir: Ivan Goldschmidt)
Wish 143 (dir: Ian Barnes and Samantha Waite)

SOUND EDITING
Inception, Richard King
Toy Story 3, Tom Myers and Michael Silvers
Tron: Legacy, Gwendolyn Yates Whittle and Addison Teague
True Grit, Skip Lievsay and Craig Berkey
Unstoppable, Mark P. Stoeckinger

SOUND MIXING
Inception, Lora Hirschberg, Gary A. Rizzo and Ed Novick
The King’s Speech, Paul Hamblin, Martin Jensen and John Midgley
Salt, Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
The Social Network, Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
True Grit, Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

 

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Academy Award Nominations Announced

After all the speculation, we finally have our nominees! The King’s Speech lead the nominations with twelve, with The Social Network also doing pretty darn good. The nominations are below, along with our suggestions of who was snubbed in the major categories. We’ll have some more insightful predictions to share before the February 27 ceremony.

Best Picture
Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

Who Was Snubbed: Blue Valentine. One of the most heartwrenchingly good films I saw all year, the movie was repeatedly snubbed in all the earlier award shows and ceremonies, so it’s lack of nom

Best Actor
Javier Bardem, Biutiful
Jeff Bridges, True Grit
Jesse Eisenberg, The Social Network
Colin Firth, The King’s Speech
James Franco, 127 Hours

Who Was Snubbed: Ryan Gosling, Blue Valentine. It was good to see his co-star get a nomination for Best Actress, but Gosling delivered the best performance of his career this year. The question though, of course, is who would you swap out in a tight category.

Best Actress
Annette Bening, The Kids Are All Right
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter’s Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine

Who Was Snubbed: Julianne Moore, The Kids Are All Right. Annette Bening won the Globe, and there were of course limited slots, but Moore added so much humor and warmth to the film, and is the only glaring omission in this category.

Best Supporting Actor
Christian Bale, The Fighter
John Hawkes, Winter’s Bone
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King’s Speech

Who Was Snubbed: Andrew Garfield, The Social Network. It was a breakout year for Garfield, but apparently the Academy isn’t ready to extend an invitation to their club just yet. This is another packed category though, so it’s not a huge stretch to see why he was left out.

Best Supporting Actress
Amy Adams, The Fighter
Helena Bonham Carter, The King’s Speech
Melissa Leo, The Fighter
Hailee Steinfeld, True Grit
Jacki Weaver, Animal Kingdom

Who Was Snubbed: Leslie Manville, Another Year. You want to see one of the best simultaneously funny and heartbreaking performances of the year, check out Ms. Manville’s. Easily my favorite not to be nominated.

Best Director
Darren Aronofsky, Black Swan
Joel and Ethan Coen, True Grit
David Fincher, The Social Network
Tom Hooper, The King’s Speech
David O. Russell, The Fighter

Who Was Snubbed: Derek Cianfrance, Blue Valentine. The first time director was going to get snubbed no matter what, but his film is among the most overlooked of the year.

Best Original Screenplay
Another Year
The Fighter
Inception
The King’s Speech
The Kids Are All Right

Best Adapted Screenplay
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

Best Foreign Film
Biutiful (Mexico)
Dogtooth (Greece)
Hors la Loi (Outside the Law) (Algeria)
Incendies (Canada)
In a Better World (Denmark)

Best Animated Film
How to Train Your Dragon
The Illusionist
Toy Story 3

Documentary (Feature)
Exit through the Gift Shop
Gasland
Inside Job
Restrepo
Waste Land

Documentary (Short Subject)
Killing in the Name
Poster Girl
Strangers No More
Sun Come Up
The Warriors of Qiugang

Best Cinematography
Black Swan
Inception
The King’s Speech
The Social Network
True Grit

Sound Editing
Inception
Toy Story 3
Tron: Legacy
True Grit
Unstoppable

Art Direction
Alice in Wonderland
Harry Potter and the Deathly Hallows Part 1
Inception
The King’s Speech
True Grit

Costume Design
Alice in Wonderland
I Am Love
The King’s Speech
The Tempest
True Grit

Film Editing
Black Swan
The Fighter
The King’s Speech
127 Hours
The Social Network

Makeup
Barney’s Version
The Way Back
The Wolfman

Music (Original Score)
How to Train Your Dragon
Inception
The King’s Speech
127 Hours
The Social Network

Music (Original Song)
“Coming Home” from Country Strong
“I See the Light” from Tangled
“If I Rise” from 127 Hours
“We Belong Together” from Toy Story 3

Short Film (Animated)
Day & Night
The Gruffalo
Let’s Pollute
The Lost Thing
Madagascar, carnet de voyage (Madagascar, a Journey Diary)

Short Film (Live Action)
The Confession
The Crush
God of Love
Na Wewe
Wish 143d

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Anne Hathaway and James Franco to Host Oscars

A year after the tag team effort of Steve Martin and Alec Baldwin, the Oscars are again turning to a pair of big names to host their annual ceremonies, this time with Anne Hathaway and James Franco. While there’s been no official word, the story is being widely reported, and originated from the always accurate (no sarcasm) Nikki Finke. What’s particularly interesting about this move is that Franco himself might be up for an Oscar for 127 Hours and lots of good things have been said about Hathaway in Love and Other Drugs. There is recent awards show precedence however, since Neil Patrick Harris hosted the Emmys the same year he was nominated. Of course, the Emmys are like Burger King to the Oscars’ Chili’s, so I guess it doesn’t really matter. Either way, it should be an interesting pairing to watch.

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Oscars Recap: Winners and Losers

Well the Oscars are over, and while we had some rapid reaction to it all, we’ll take a minute to talk about the big winners and losers, as well as grading the show and hosts.

Winners: Obviously, The Hurt Locker was the biggest winner, taking home six Oscars including the big ones for director Kathryn Bigelow and Best Picture. Also a winner was Precious, which was expected to win Mo’Nique Best Supporting Actress (and did), but also took home an award for Best Adapted Screenplay. Of course, Jeff Bridges and Sandra Bullock were big winners taking home the two lead acting awards. Both were so genuinely touched and grateful that they won, and I actually wasn’t too upset Bullock won after the speech she gave.

Losers: Avatar was the most notable loser of the night, though it took home three statues, though in categories they were expected to win (Cinematography, Art Direction, Visual Effects). It was shut out of the two major awards for which it was nominated, Best Director and Best Picture. In the end, doesn’t making more money than any other film ever make it a winner? Probably. The other big loser was Up In The Air, which left empty handed. Though it was a long shot in several categories, the film that won the National Board of Review’s Best Picture, lost to precious in the Adapted Screenplay category where it had the strongest chance of winning.

Hosts: This had potential to be a disaster, but it turned out great. Steve Martin and Alec Baldwin played off of each other predictably well, but their jokes were always right on the mark. The Paranormal Activity bit aside, they didn’t have a miss all night.

Good: The show overall was not that bad. The best bit of the night was definitely Ben Stiller’s Na’avi costume and bit, which continued his string of great Oscar bits. The show moved pretty fluidly, even with the need to introduce 10 Best Picture nominees. The tribute to John Hughes was also very touching and was yet another reminder of how brilliant that man was.

Bad: The interpretive dance to the Oscar scores was completely unnecessary. Yeah, it was impressive dancing, but the dance had nothing to do with each score, and went on way too long. And why they cut out the original song performances, but kept this was beyond me. There was also the introductions for the Lead Acting categories, where the nominee’s have someone on stage gush about them, that was the worst holdover from last year. It’s awkward and takes too long. The show ran a half hour over, which could have at least been cut in half without it.

Best Acceptance Speech: Jeff Bridges. So great to see The Dude not only win, but be so humbled and elated. He’s a man that has always been himself, and that speech was about as unique as you can get.

Worst Acceptance Speech: Sandy Powell for Best Costume Design. The gist of the speech: “I won again. I dedicate this to everyone that hasn’t won, but you didn’t, I did. Again.”

Overall: For a predictable Oscar night, it wasn’t all that bad. The show didn’t feel tedious to watch like it has in the past, and there weren’t any sore losers that stole headlines. All in all, it was one of the best Oscars in recent years.

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TUIW Live Oscar Coverage!

Follow the Oscars live with TUIW! Follow on Twitter for instant news on the winners, but stay tuned here for commentary!

Best Supporting Actor: Christoph Waltz (Inglorious Basterds). A deserving choice who gave a great speech. Hopefully we’ll see more of him through the years.

Best Animated Feature Film: Up. Another deserving choice, but it came out of a category that also had The Fantastic Mr. Fox and Coraline, both of which could have won just as easily.

Best Original Song: Ryan Bingham and T-Bone Burnett (“The Weary Kind”, Crazy Heart). Not a shocker, but it’s deserving, and truly the best of the nominated songs.

Best Original Screenplay: Mark Boal (The Hurt Locker). A pretty wide open category, but I’m a little surprised this wasn’t where Inglorious Basterds won. A good choice though definitely.

Best Animated Short: Logorama (dir. Nicholas Shmerkin). Gotta be honest, haven’t seen it, but it looks awesome! Best acceptance speech so far by the way.

Best Documentary Short: Music By Prudence (dir. Roger Ross Williams and Elinor Burkett)

Best Live Action Short: The New Tenants (dir. Joachim Back and Tivi Magnusson)

Best Makeup: Star Trek (Barney Burman, Mindy Hall and Joel Harlow). Sci-fi wins in makeup category? Shocker!

Best Adapted Screenplay: Jeffrey Fletcher (Precious). I’m surprised, but yet not. I thought this would be Up In The Air‘s award, but Precious had a big shot here, and clearly won. (I bet Jason Reitman is pissed!)

Best Supporting Actress: Mo’Nique (Precious). Not a big shock. I don’t know about the line in the acceptance speech about “performance, not the politics.” Does that mean the other actresses weren’t deserving? Mo’Nique deserves it, but those were other great performances too that could have won. (End gripe session)

Best Art Direction: Avatar (Rick Carter and Robert Stromberg (Art Direction); Kim Sinclair (Set Decoration)). That’s one.

Best Costume Design: Sandy Powell (The Young Victoria). A period piece wins best costumes? Shocker!

Best Sound Editing: Paul N.J. Ottosson (The Hurt Locker)

Best Sound Mixing: Paul N.J. Ottosson and Ray Beckett (The Hurt Locker). You rarely see someone win in back to back categories. Weird to see someone holding two Oscars in an acceptance speech.

Best Cinematography: Mauro Fiore (Avatar). That’s two.

Best Original Score: Michael Giacchino (Up). Can we not do interpretive dance that has nothing to do with the movies for this category in the future? Thanks.

Best Visual Effects: Avatar (Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones). That’s three.

Best Documentary Feature: The Cove (Louie Psihoyos and Fisher Stevens). Yeah Fisher Stevens!

Best Film Editing: Bob Murawski and Chris Innis (The Hurt Locker). And The Hurt Locker retakes the lead!

Best Foreign Language Film: The Secret in Their Eyes (El Secreto de Sus Ojos). A little bit of a surprise, as A Prophet seemed to be favorite to win, but a strong category this year.

Best Actor: Jeff Bridges (Crazy Heart). The Dude finally got his Oscar! So great to see someone so overjoyed win after so long.

Best Actress: Sandra Bullock (The Blind Side). Take note actors: you too can win an Oscar if someone writes a movie for you to do so! And it is possible to win a an Oscar and a Razzie in the same year.

Best Director: Kathryn Bigelow (The Hurt Locker). Fitting that the first woman to win Best Director directed the best film of the year. Cameron wouldn’t have surprised me, but I would have been disappointed. She deserved this big time.

Best Picture: The Hurt Locker. Wow! The most deserving of the candidates beat out the monster that was Avatar to take home the big prize! It figured to be close, but this is pretty big that it beat out the highest grossing film of all time to become the lowest grossing winner of best picture of all time.

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Weekly Best Of: 2000-2009 Oscar Winners

The Oscars can get a lot of things wrong, often tragically so (in fact, we just predicted them to do it again this year!). But that doesn’t mean they always do. So, as a sister to our Oscar Predix, we present a list of our favorite winners (one in each of the categories we predicted earlier, with a couple wild cards) from the last decade:

Best Picture: No Country For Old Men
Its been a bleak decade for Best Picture, but you can’t fault the voters for naming the Coens’ haunting, messed up portrayal of violence and avarice in a dying West as the best film of 2007 (even if I prefer the superior There Will Be Blood).

Best Actress: Marion Cotillard, Ma Vie En Rose
Yeesh, this was pretty dire. Overrated turns by Charlize Theron, Nicole Kidman, and Hilary Swank are among the many crimes against acting that the Academy saw fit to reward this decade. By default, it falls to Cotillard, whose performance looks similar to many of the other ones (dramatic make-up work, playing a real person) but who brought a zeal and energy to her role. Still, from the looks of it, Sandra Bullock should make a worthy addition to this lot.

Best Actor: Daniel Day-Lewis, There Will Be Blood
Not just the best actor of 2007, but the best performance of the decade if these yahoos are to be believed, there isn’t much left to say about Day-Lewis’ bravura performance, so short of shouting “drainage!” at the top of my lungs, I’ll just move on to the next category.

Best Supporting Actor: Heath Ledger, The Dark Knight
Ledger leaves nothing behind on The Dark Knight, giving us a character so intelligently, calculatingly menacing that he nearly swallows the film whole. His performance takes a character who has been played for goofy camp in all of his film experiences and shapes him into a horrifying, pure force of frightening chaos, bringing the shot of gravity and verisimilitude to Christopher Nolan’s dark vision of Gotham that the series needed.

Best Supporting Actress: Tilda Swinton, Michael Clayton
Oscar doesn’t usually give awards for understated, subtle turns, so Tilda Swinton probably has her excellent career to thank for this one. But nonetheless, despite what the naysayers think, this is a truly great performance, so full of delusion and self-loathing that her character, moreso than Clooney or Wilkinson, becomes the hinge on which the film’s entire commentary turns. Just watch that scene where she tries to find any way to avoid saying the words “kill him.”

Best Director: Peter Jackson, Lord of the Rings: The Return of the King
Jackson managed to bring to life one of the most vividly-detailed and meticulously constructed works of fiction of all time in a way that satisfied long-time fans and captured the imaginations of newbies.

Best Original Screenplay: Charlie Kaufman, Michel Gondry, and Pierre Busmuth for Eternal Sunshine of the Spotless Mind
Perhaps the best winner in any category, Eternal Sunshine balances big ideas with pathos (and just a touch of science fiction) and shows how the Gondry-Kaufman collaboration can lead to a film that keeps both men’s crazier impulses in check and grounds the film in a devastatingly emotional place.

Best Adapted Screenplay: Alexander Payne and Jim Taylor for Sideways
Sideways’ stock has kind of tumbled in recent years, but Payne and Taylor’s script is still witty and heartfelt (even if it would have been nicer to see Before Sunset’s surprise nomination turn into a surprise win).

Best Animated Feature: Spirited Away
Pixar has deserved this every year its won, but its also been a pretty easy choice for Oscar voters. Much more surprising: them nominating a cartoon of such unique and visionary wonder as Spirited Away in the face of more profitible and conventional picks. This category has never been as eclectic as I would like, but at least in 2002, they did a really great job.

Best Cinematography: Conrad Hall, Road to Perdition
Pan’s Labyrinth and There Will Be Blood were also fantastic choices, but every frame of Road to Perdition is like a photograph, every shot so full and meaningful. The movie is a perfect period at the end of one of the finest technical film careers of all time.

Best Documentary Feature: Man on Wire
One of the most interesting documentaries of the decade, Man on Wire was also a refreshing change of pace from the advocacy documentaries that dominated the Oscars this decade.

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Oscar Nominees to Prepare Two Speeches

As strange as it may sound, the producers of this year’s Oscar broadcast have asked the nominees to prepare two speeches in the even that they win. The idea is that the winners will deliver a speech on stage in front of the millions of viewers around the world where they touch on what the Oscar means to them or something in that vein. They’ll then go backstage, where a camera will be set up for them to share all of their thank yous with the hundreds of people watching online. While it will probably make for some more interesting speeches, it does kind of suck for the people getting thanked. Of course, the nominees can (and probably will) completely disregard this rule.

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82nd Oscars Nominees

It’s a big morning in Hollywood with the announcement of this year’s Oscar nominees.  There’s not a ton of surprises, especially with a bigger list of Best Picture nominees this year, so the nod for District 9 makes a little more sense there. We’ll be sure to give you our analysis as the big day approaches, but for now, be sure to check out our Best of 2009 films and acting lists.

Best Picture
Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious
A Serious Man
Up
Up In The Air

Best Actor
Jeff Bridges, Crazy Heart
George Clooney, Up In The Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Jeremy Renner, The Hurt Locker

Best Actress
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibe, Precious
Meryl Streep, Julie & Julia

Best Supporting Actor
Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christoph Waltz, Inglourious Basterds

Best Supporting Actress
Penélope Cruz, Nine
Vera Farmiga, Up In The Air
Maggie Gyllenhaal, Crazy Heart
Anna Kendrick, Up In The Air
Mo’Nique, Precious

Best Director
James Cameron, Avatar
Kathryn Bigelow, The Hurt Locker
Quentin Tarantino, Inglourious Basterds
Lee Daniels, Precious
Jason Reitman, Up In The Air

Best Adapted Screenplay
District 9, Neil Blomkamp & Terri Tatchell
An Education, Nick Hornby
In The Loop, Jesse Armstrong, Simon Blackwell, Armando Iannucci & Tony Roche
Precious, Geoffrey Fletcher
Up In The Air, Sheldon Turner & Jason Reitman

Best Original Screenplay
The Hurt Locker, Mark Boal
Inglourious Basterds, Quentin Tarantino
The Messenger, Alessandro Camon & Oren Moverman
A Serious Man, Joel & Ethan Coen
Up, Bob Peterson, Pete Docter & Thomas McCarthy

Best Foreign Language Film
Ajami (Israel, Dir. Scandar Copti & Yaron Shani)
The Secret In Their Eyes
(Argentina, Dir. Juan José Campanella)
The Milk Of Sorrow
(Peru, Dir. Claudia Llosa)
A Prophet
(France, Dir. Jacques Audiard)
The White Ribbon
(Germany, Dir. Michael Haneke)

Best Animated Feature
Coraline (Dir. Henry Selick)
Fantastic Mr. Fox (Dir. Wes Anderson)
The Princess & The Frog (Dir. Ron Clements & John Musker)
The Secret Of Kells (Dir. Tomm Moore & Nora Twomey)
Up (Dir. Bob Peterson & Pete Docter)

Best Animated Short
French Roast (Dir. Fabrice O. Joubert)
Granny O’Grimm’s Sleeping Beauty
(Dir. Nicky Phelan & Darragh O’Connell)
The Lady & The Reaper
(Dir. Javier Recio Garcia)
Logorama
(Dir. Nicolas Schmerkin)
A Matter Of Loaf And Death
(Dir. Nick Park)

Best Documentary Feature
Burma VJ (Dir. Anders Østergaard & Lise Lense-Møller)
The Cove
(Dir. Louie Psihoyos)
Food, Inc.
(Dir. Robert Kenner & Elise Pearlstein)
The Most Dangerous Man In America: Daniel Ellsberg And The Pentagon Papers (Dir. Judith Ehrlich & Rick Goldsmith)
Which Way Home
(Dir. Rebecca Cammisa)

Best Documentary Short
China’s Unnatural Disaster: The Tears Of Sichuan Province (Dir. Jon Alpert & Matthew O’Neill)
The Last Campaign Of Governor Booth Gardner
(Dir. Daniel Junge & Henry Ansbacher)
The Last Truck: Closing Of A GM Plant
(Dir. Steven Bognar & Julia Reichert)
Music By Prudence
(Dir. Roger Ross Williams & Elinor Burkett)
Rabbit A La Berlin
(Dir. Bartek Konopka & Anna Wydra)

Best Live-Action Short
The Door (Dir. Juanita Wilson & James Flynn)
Instead Of Abracadabra
(Dir. Patrik Eklund & Mathias Fjellström)
Kavi (Dir. Gregg Helvey)
Miracle Fish (Dir. Luke Doolan & Drew Bailey)
The New Tenants
(Dir. Joachim Back & Tivi Magnusson)

Best Cinematography
Avatar, Mauro Fiore
Harry Potter & The Half-Blood Prince, Bruno Delbonnel
The Hurt Locker, Barry Ackroyd
Inglourious Basterds, Robert Richardson
The White Ribbon, Christian Berger

Best Film Editing
Avatar
District 9
The Hurt Locker
Inglourious Basterds
Precious

Best Art Direction
Avatar
The Imaginarium Of Dr. Parnassus
Nine
Sherlock Holmes
The Young Victoria

Best Costume Design
Bright Star
Coco Before Chanel
The Imaginarium Of Dr. Parnassus
Nine
The Young Victoria

Best Makeup
Il Divo
Star Trek
The Young Victoria

Best Sound Editing
Avatar
The Hurt Locker
Inglourious Basterds
Star Trek
Up

Best Sound Mixing
Avatar
The Hurt Locker
Inglourious Basterds
Star Trek
Transformers: Revenge Of The Fallen

Best Visual Effects
Avatar
District 9
Star Trek

Best Song
Almost There” by Randy Newman, The Princess & The Frog
“Down In New Orleans” by Randy Newman, The Princess & The Frog
“Loin De Paname” by Reinhardt Wagner & Frank Thomas, Paris 36
“Take It All” by Maury Yeston, Nine
“Weary Kind” by Ryan Bingham & T. Bone Burnett, Crazy Heart

Best Original Score
Avatar, James Horner
Fantastic Mr. Fox, Alexandre Desplat
The Hurt Locker, Marco Beltrami & Beck Sanders
Sherlock Holmes, Hans Zimmer
Up, Michael Giacchino

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News Flash: Jack Donaghy, Navin R. Johnson Hosting Oscars

Well it looks like Award Season might be tolerable this year. First came the news that the always funny Ricky Gervais would host the Golden Globes, but now comes the word from Variety that Steve Martin and Alec Baldwin will co-host this year’s Oscar ceremony.  The news came down not long after it was rumord that Ben Stiller, Robert Downey Jr., and last year’s host Hugh Jackman all turned the gig down. Jackman delivered a ratings boost last year, and his opening number beat out Flight of the Conchords at the Emmys (yep, still pissed about that), but apparently it was too much for Wolverine to do again. The Hollywood speculation machine has already been cranked to a start with rumors that Baldwin’s 30 Rock co-star Tina Fey will help write the ceremony. I’m not sure how the two host thing will work, but Steve Martin is a comedic god and Alec Baldwin has been terrific on both 30 Rock and in his many stints as guest host of Saturday Night Live. But then again, the Oscars did chew up the always funny Jon Stewart twice, so we’ll see how it goes.

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