Tag Archives: How I Met Your Mother

How I Met Your Mother – “Big Days”

Ladies and Gentleman, the network Fall TV Season has officially begun! What better way to kick things off than with an old favorite looking to rebound after its shakiest season so far. My complaints about How I Met Your Mother were pretty well noted at the end of last year, but I was actually very excited to see where the show would head after its finale and executive producers Carter Bays and Craig Thompson’s promise to return the show to its old form in Season 6 (six!). So how did they do?

Pretty well actually. Sure there was a classic HIMYM fake out, but unlike last season, this fake out seemed to be heading somewhere, not just for the sake of prolonging the Mother Mystery for another year. I think part of this fake out was important because it brought back Ted’s pursuit of the Mother. I was pretty certain the girl at the bar wouldn’t be Mrs. Mosby, but by bringing back Cindy, we got the chance for Ted to go back to searching for the Mother without a pronouncement to make it painfully obvious. It was an organic return to the central premise of the show, which the show had gotten away from last season, and was a promising turn of events.

What really made the episode was that it was pretty damn funny. I’ve always thought Cobie Smulders is the funniest of the amazing cast, and she absolutely killed it in this episode as Robin was plagued by “cartoon squiggly lines” of filth in the aftermath of her breakup with Don. I’m laughing just at the thought of her sitting on the couch, covered in food, telling Ted she was ready to have sex with him. Throw in Barney being Barney towards her, and you have a series of classic HIMYM moments.

Jason Siegal also had a chance to shine during Marshall’s struggles with his father and Lilly’s low neckline, making it all payoff with a really sweet moment with Lilly at the end. They always get the best emotional beats on the show, but after a year in which most of their moments were pretty cheesy, it was nice to see a pretty genuine, nice bit between the two of them.

So all and all is HIMYM back to its old form? It’s definitely too early to tell, but it was a start that had a lot of potential. There were several great moments, and despite the overly overt umbrella references at in the episodes’ closing moments, I liked it a lot. I don’t know if I’d give the episode a high six, but an old fashion five sounds pretty good.

Michael’s Score:
83
TUiW Grade: A-

1 Comment

Filed under TV Review

How I Met Your Mother Producers: Our Bad

Good news How I Met Your Mother Fans,* show creators Cater Bays and Craig Thompson have taken advantage of the CBS Press Tour to not only talk up the show’s upcoming sixth season, but also to more or less apologize for the show’s weak fifth season. Craig Thomas told Vulture, “Season five was a very fun season; we did some of our best episodes… but there wasn’t this larger emotional arc like you had in some past seasons. We wanted to slow down the [narrative] after telling the Robin and Barney relationship, so we opened it up in the middle of the season and did some stand-alone episodes. That meant we didn’t emotionally move the ball down the field as much as we have in past years.” He also told Alan Sepinwall, “I think we write our best catchy, gimmicky episodes while being deep within an arc. And we forgot that.”

It’s pretty good to see them owning up to a really disappointing season for the show, and to be honest, the tidbits they share about the next season has me excited for the show again. Without giving too much away, the two hinted (minor SPOILERS) that Marshall and Lilly will indeed start the process of having a baby, and more importantly, Ted will get a job designing the Goliath National Bank building and start moving closer to meeting The Mother. They’ll also be adding a new storytelling element, according to Bays: “In episode one, we begin a new framework for the show, in addition to the framework that exists, that will cast the mystery in a new light. Also create a new mystery that will expand the universe a bit.”

Intriguing! I’ve saved the best for last though. Thompson made the following pledge: “Can I make a promise? Ted will be absolutely undouchey this year.” I just breathed a sigh of relief. What about all of you? Are you willing to give HIMYM another shot after a rough year?

*Ed. Note: Can we come up with a name for HIMYM fans, in the same vein of Losties, Browncoats, or Gleeks? My leading contender is Suits. Any suggestions?

1 Comment

Filed under TV News

2010 Emmy Nominations Are In

Here you go folks, your 2010 Emmy Nominations! A little bit of snap analysis accompanies each category. Sound off on your thoughts in the comments!

Outstanding Drama
Lost
Breaking Bad
Dexter
Mad Men
True Blood
The Good Wife

Who Should Win: Breaking Bad. That show can’t get any better.
Who Will Win: Tough to say really, but I wouldn’t put too much thought into Dexter or True Blood. Lost has a chance because the Emmy’s like to honor shows that have ended, but I think the safe bet is between Breaking Bad and Mad Men.
Who Was Snubbed: Friday Night Lights. Not a big shock, but another great season goes unrewarded.


Outstanding Comedy

Glee
Modern Family
Curb Your Enthusiasm
Nurse Jackie
30 Rock
The Office

Who Should Win: Modern Family. A terrific debut season that made the sentimental family comedy hilarious again.
Who Will Win: Glee or Modern Family. I wouldn’t count out The Office or 30 Rock, since both were nominated for weak seasons, but I think the rookie shows have the edge.
Who Was Snubbed: I’d say Party Down if it had a bigger audience, but I’m going to go with Parks and Recreation. The show turned it around big time and largely got shut out. I’d trade it with The Office in a heartbeat.
Outstanding Actress in a Drama
Julianna Margulies (The Good Wife)
Mariska Hargitay (Special Victims Unit)
Glenn Close (Damages)
Kyra Sedgwick (The Closer)
January Jones (Mad Men)
Connie Britton (Friday Night Lights)

Who Should Win: Connie Britton. Finally nominated for her incredible work on FNL, Tammy Taylor deserves an Emmy.
Who Will Win: I think this one is going to go to either Julianna Margulies or Glenn Close, one for her high profile show and the later for her high profile status.
Who Was Snubbed: Katey Sagel. Sons of Anarchy doesn’t scream “Emmy,” largely because it’s on FX, but Sagel is easily the best part of the show.

Outstanding Actor in a Drama
Jon Hamm (Mad Men)
Kyle Chandler (Friday Night Lights)
Bryan Cranston (Breaking Bad)
Hugh Laurie (House M.D.)
Michael C. Hall (Dexter)
Matthew Fox (Lost)

Who Should Win: Bryan Cranston. It’s great to see Kyle Chandler get a nod, but Cranston again cannot be topped.
Who Will Win: Cranston. Michael C. Hall won the Golden Globe, but I can’t see Cranston losing the Emmy.
Who Was Snubbed: Bill Paxton, for Big Love. In a season in which Big Love struggled and Bill became less likable, Paxton sold it for all it was worth.

Outstanding Actress in a Comedy
Lea Michele (Glee)
Tina Fey (30 Rock)
Toni Collette (The United States of Tara)
Julia Louis-Dreyfus (The New Adventures of Old Christine)
Edie Falco (Nurse Jackie)
Amy Poehler (Parks and Recreation)

Who Should Win: Amy Poehler. She was the heart and soul of the revived Parks and Rec, transforming a character in just a season’s time. Definitely would have my vote.
Who Will Win: Tina Fey. The Emmy’s still think 30 Rock is the great show it was in its first two seasons, so I think she’ll take home another statue.
Who Was Snubbed: Lizzie Caplan, for Party Down. Casey got 100x funner in season two, but again, no one watched.

Outstanding Actor in a Comedy
Larry David (Curb Your Enthusiasm)
Alec Baldwin (30 Rock)
Matthew Morrison (Glee)
Steve Carell (The Office)
Jim Parsons (The Big Bang Theory)
Tony Shalhoub (Monk)

Who Should Win: Have to go with Larry David. Curb did it again.
Who Will Win: Really anyone. LD has the best chance, but this category seems wide open.
Who Was Snubbed: Joel McHale for Community. Jeff Winger could have been a boring character without McHale, who more than ably led that show.

Outstanding Supporting Actor in a Comedy
Chris Colfer (Glee)
Neil Patrick Harris (How I Met Your Mother)
Jesse Tyler Ferguson (Modern Family)
Jon Cryer (Two and A Half Men)
Eric Stonestreet (Modern Family)
Ty Burrell (Modern Family)

Who Should Win: Oh man. Three Modern Family nods, all deserving, plus NPH, who has yet to win, it’s a tough one to pick!
Who Will Win: NPH. I think this is his year. I wouldn’t be shocked to see anyone win though.
Who Was Snubbed: Chris Pratt for Parks and Rec. Andy is such a moron, but he produced some of the biggest laughs for me, all season long.

Outstanding Supporting Actress in a Comedy
Jane Lynch (Glee)
Kristen Wiig (Saturday Night Live)
Jane Krakowski (30 Rock)
Julie Bowen (Modern Family)
Sofia Vergara (Modern Family)
Holland Taylor (Two and A Half Men)

Who Should Win: I loved the Modern Family actresses, but I think Jane Lynch deserves, not just based on Glee, but her many years struggling in relative obscurity.
Who Will Win: Lynch. Everyone loves her, I think she’s a lock.
Who Was Snubbed: Alison Brie, for Community. Brie earned big laughs as bubbly Annie Edison, the former pill addict who somehow is still incredibly naive.

Outstanding Supporting Actor in a Drama Series
Aaron Paul (Breaking Bad)
Martin Short (Damages)
Terry O’Quinn (Lost)
Michael Emerson (Lost)
John Slattery (Mad Men)
Andre Braugher (Men of a Certain Age)

Who Should Win: O’Quinn or Emerson. They were both too good not win. I could also see this as the big category Lost wins.
Who Will Win: Paul has a big chance, but I think the Lost actors are going to get their last hurrah here.
Who Was Snubbed: I know picking another Lost actor seems like overkill, but Jorge Garcia and Nestor Carbonell both turned in some incredibly great performances this season.

Outstanding Supporting Actress in a Drama
Sharon Gless (Burn Notice)
Christine Baranski (The Good Wife)
Christina Hendricks (Mad Men)
Rose Byrne (Damages)
Archie Panjabi (The Good Wife)
Elisabeth Moss (Mad Men)

Who Should Win: Elisabeth Moss. A fantastic season for Peggy, that saw her start to come in on her own a little bit more.
Who Will Win: Moss, Hendricks, or Byrne. It’s a three woman race.
Who Was Snubbed: Chloe Sevigny for Big Love. Like Bill Paxton, a great performance in a season with such a weak story.

Reality Competition program
American Idol
Amazing Race
Dancing With The Stars
Project Runway
Top Chef


Outstanding Variety, Music or Comedy Series

The Colbert Report
The Daily Show with Jon Stewart
Saturday Night Live
Real Time With Bill Maher
Tonight Show with Conan O’Brien

Who Should Win: Conan. Just because.
Who Will Win: Conan. Just because.
Who Was Snubbed: Letterman. He had a mini resurgence with Jay gone, but alas, Bill Maher gets his spot instead.

Outstanding Guest Actor in a Comedy Series
Mike O’Malley (Glee)
Eli Wallach (Nurse Jackie)
Neil Patrick Harris (Glee)
Fred Willard (Modern Family)
Jon Hamm (30 Rock)
Will Arnett (30 Rock)

Outstanding Guest Actress in a Comedy Series
Kristen Chenoweth (Glee)
Jane Lynce (Two and a Half Men)
Christine Baranski (The Big Bang Theory)
Elaine Stritch (30 Rock)
Tina Fey (SNL)
Kathryn Joosten (Desperate Housewives)
Betty White (SNL)

Outstanding Guest Actor in a Drama Series
Robert Morse (Mad Men)
John Lithgow (Dexter)
Gregory Itzin (24)
Beau Bridges (The Closer)
Alan Cumming (The Good Wife)
Ted Danson (Damagaes)
Dylan Baker (The Good Wife)

Who Was Snubbed: Zach Gilford for Friday Night Lights. Even if you’ve never seen the show before, watch the episode “The Son” and then tell me you didn’t cry.

Outstanding Guest Actress in a Drama Series

Mary Kay Place (Big Love)
Sissy Spacek (Big Love)
Ann-Margret (Law & Order: SVU)
Lilly Tomlin (Damages)
Elizabeth Mitchell (Lost)
Shirley Jones (The Cleaner)

Outstanding Writing for a Comedy Series
The Office (Niagara)
Glee (Pilot)
Modern Family (Pilot)
30 Rock (Anna Howard Shaw Day)
30 Rock (Lee Marvin vs. Derek Jeter)

Outstanding Writing for a Drama Series

The Good Wife (Pilot)
Mad Men (Guy Walks Into an Advertising Agency)
Mad Men (Shut the Door. Have a Seat.)
Friday Night Lights (The Son)
Lost (The End)

3 Comments

Filed under TV News

How I Met Your Mother – “Doppelgangers”

I’ve had a lot of complaints about How I Met Your Mother this season. It definitely became a more episodic show, one that has relied less on its premise. That’s not to say it’s been bad by any means, but in the show has, at least in my opinion, slipped from the high perch it once occupied. It’s still the smartest comedy on CBS, not that that requires much, but it’s not as solid as it once was.

In the shadow of the Lost finale, it may seem like I’m forcing in a reference here, but the universally loved part of its finale was the emotional resolutions each of the characters got. I couldn’t help but think of that as I watched “Doppelgangers.” From the start, HIMYM has been about these five characters. We’ve grown to know love them, felt like we were a part of their inside jokes, and even a character as sleazy as Barney has endeared him self to us. It’s with this in mind that I watched Season 5 come to a close.

Interestingly, “Doppelgangers” didn’t have a single reference to The Mother. In fact, Ted was the fifth string in the episode. In the A Story (or really the A1 Story), Marshall and Lilly decide their going to have a baby after seeing the final doppelganger, a brunette cab driver Barney. But when Marshall finds out that it’s actually Barney in disguise working on a plan to sleep with a girl from every country it the world, he pauses long enough to realize that perhaps Lilly isn’t ready to have a baby and is going through with it because she thinks she’s seen a sign. But as the episode ends, four months later, Lilly sees a pretzel vender she thinks looks just like Barney, but in fact, they all realize it looks nothing like him. But that’s okay. It just means that Lilly is ready, and next season, she and Marshall are going to try and have s baby.

Meanwhile, Robin is starting to fall seriously in love with Don, just as she gets a call from a station in Chicago that wants her. Despite the protests of her friends, Robin again chooses her career over romance, and decides to go to Chicago. When Robin calls Chicago, however, she has a change of heart while looking at a picture of her and Don. It’s a huge character shift for Robin, who in the first season could hardly be in a couple. But the kick to the stomach comes from Don, who accepts the job in Chicago she had turned down earlier that day. A heartbroken Robin moves back in with Ted, and as he comforts her, the begin to lean in towards each other, ready to kiss, when she remembers that Ted, after being tricked into it by his friends, has dyed his hair blonde.

As I said at the top, I had a lot of complaints about this season of HIMYM, but overall, I think “Doppelgangers” was a solid episode, and one of the more rewarding episodes of the season.  As Ted points out Robin, the gang has grown up a lot in the last five years, sure they’re still having telepathic conversations and tricking each other into dying their hair blonde, but now they’re buying houses, settling into committed relationships, and having kids. Sure, I’ve been frustrated that a show I love doesn’t have the same magic it once did but part of that is that I’ve been expecting it to be a show about the people from five years ago. HIMYM has been growing with its characters.

Now I’m not saying the whole season gets redeemed or even that “Doppelgangers” was a perfect episode. But it was one that relied on the same things that made older episodes work. “Slap Bet” was funny, but it also was significant as it features a big step for both Robin and Ted. “Doppelgangers” gave us the framework for a season where we continue to see our characters grow, and while I wasn’t blown away, I’m looking forward to seeing how they change next.

Michael’s Score: 77

TUiW Grade: B+

Leave a Comment

Filed under TV Review

2010 Upfronts: CBS

Alright folks, the last of the networks has revealed their lineup for 2010-2011, and it happens to be CBS.

Monday

CBS starts their primetime schedule with their best comedy, How I Met Your Mother and (in this writer’s opinion), it all goes downhill from there. David Spade will continue to annoy America on Rules of Engagement at 8:30, and they’ll be followed up by the same jokes over and over again on Two and Half Men. At 9:30 is a new show from Chuck Lorre, Mike & Molly, which I kid you not is about two overweight people that fall in love at an Overeaters Anonymous meeting. Good job CBS, make fun of fat people. Hawaii Five-O rounds out the night, and the cast that includes Alex O’Loughlin, Scott Caan, Daniel Dae Kim, and Grace Park seems good enough for me to at least give it a shot. It, of course, has potential to be like other classic show reboots, Dragnet, Knight Rider, and The Bionic Woman, just to name a few.

Tuesday

The night stays the same with NCIS bleeding into NCIS: Los Angeles and The Good Wife rounds out the night.

Wednesday

Survivor moves to 8:00 (still?) where it will be followed by Criminal Minds at 9 and a new show, The Defenders at 10. The Defenders Jim Belushi and Jerry O’Connell as two lawyers, but don’t worry everyone, CBS president Nina Tassler assures us it’s not another stock legal drama, saying, “We like to say it’s more of a bromance than a conventional legal drama.” Breathe easy knowing Jim Belushi isn’t doing drama.

Thursday

In an evil move, CBS moves The Big Bang Theory to 8 on Thursdays where it will assuredly crush the far superior Community in the ratings (sorry TBBT fans, I think your show is based on one joke: nerds, right?!). It will be followed by $#*! My Dad Says, the first TV show based off of a Twitter feed. It will apparently be called “Bleep My Dad Says,” since CBS can’t say “shit” on the air. The positive: William Shatner is the star. CSI and The Mentalist round out the night in their normal slots.

Friday

The Forgotten Night kicks off with Medium (wow, still?) and will be followed by CSI: New York and Blue Bloods, a new show about a family of New York cops, that stars Tom Selleck, Donnie Wahlberg, Len Cariou and Will Estes. Who will you pick: Tom Selleck or Jimmy Smits on NBC?!

Sunday

Pretty similar to what it’s always been, with 60 Minutes, The Amazing Race, Undercover Boss, and the moved CSI: Miami in what’s sure to be a (takes off sunglasses) killer night of television.

Other New Shows

Not many, but a Forrest Whitaker spin-off of Criminal Minds.

Other Notes

I’m sorry for being so tongue and cheek through all of that, but CBS really frustrates me as a TV fan. They have fairly bland programming which is designed to grab ratings from an older demographic and get their shows into syndication. There’s no originality in their programming, and the shows that are original (HIMYM) get stuck behind the same old stuff they always put on. Feel free to disagree with me in the comments, but I just think that part of the reason for the rise in acclaim for cable shows is that those networks dare to do something more original than the stock shows CBS puts on the air. Think I’m wrong? Tell me why in the comments!

Leave a Comment

Filed under TV News

TUiW Guide to May 2010

The National

This May is shaping up to be a really great month of media. In addition to a stellar lineup of new music, May is also the start of the Summer Movie season and TV season finales. We’ve provided below a list of some of the best media this month, as well as links to find more.

MUSIC:

The Hold Stead - Heaven is Whenever

05-04
Broken Social Scene: Forgiveness Rock Record [Arts & Crafts]
The Fall: Your Future Our Clutter [Domino]
The Flaming Lips/Stardeath and White Dwarfs: The Dark Side of the Moon [Warner Bros.]
Flying Lotus: Cosmogramma [Warp]
The Hold Steady: Heaven Is Whenever [Vagrant]
Minus the Bear: Omni [Dangerbird]
The New Pornographers: Together [Matador]
Josh Ritter: So Runs the World Away [Pytheas Recordings]
Paul Weller: Wake Up the Nation [Yep Roc]
The Whitsundays: Saul [Friendly Fire]

05-11
CocoRosie: Grey Oceans [Sub Pop]
The Dead Weather: Sea of Cowards [Third Man/Warner Bros.]
Holy Fuck: Latin [Young Turks/XL]
Japandroids: No Singles [Polyvinyl]
The National: High Violet [4AD]
Sleigh Bells: Treats [NEET/Mom + Pop]
UNKLE: Where Did the Night Fall [Surrender All]
Woods: At Echo Lake [Woodsist]

05-18
Band of Horses: Infinite Arms [Brown Records/Fat Possum/Columbia]
The Black Keys: Brothers [Nonesuch]
LCD Soundsystem: This Is Happening [DFA/Virgin]
Jamie Lidell: Compass [Warp]
Janelle Monae: The ArchAndroid [Wondaland Arts Society/Bad Boy]
Nas and Damian Marley: Distant Relatives [Universal Republic]
Rhymefest: El Che [dNBe Entertainment]
The Rolling Stones: Exile on Main St. [Universal] [Deluxe Edition reissue]
Talib Kweli and Hi-Tek: Revolutions Per Minute [Blacksmith/Warner Bros.]

05-25

David Cross: Bigger and Blackerer [Sub Pop] [CD/DVD]
The Cure: Disintegration [Three-disc reissue] [Polydor/Universal]
Karen Elson: The Ghost Who Walks [Third Man/XL]
Tobacco: Maniac Meat [Anticon]

More Movie Releases Here

MOVIES

Iron Man 2

05-07
Iron Man 2

05-14
Robin Hood

05-21
Shrek Forever After
MacGruber

05-27
Sex and the City 2

05-28
Prince of Persia: The Sands of Time
George A. Romero’s Survival of the Dead
Micmacs

More Movie Release Dates Here

TV (Season Finales)

L O S T

FlashForward: Thursday, May 27 @ 8 pm/ET
Lost: Sunday, May 23 @ 9 pm/ET (two hour series finale)
Modern Family: Wednesday, May 19 @ 9 pm/ET
How I Met Your Mother: Monday, May 24 @ 8 pm/ET
24
: Monday, May 24 @ 8 pm/ET (two hour series finale)
The Cleveland Show
: Sunday, May 23 @ 8:30 pm/ET
Family Guy
: Sunday, May 23 @ 9pm/ET (one hour)
Fringe
: Thursday, May 20 @ 9 pm/ET
House: Monday, May 17 @ 8 pm/ET
The Simpsons: Sunday, May 23 @ 8 pm/ET
30 Rock
: Thursday, May 20 @ 9:30 pm/ET
Chuck: Monday, May 24 @ 8 pm/ET (two hours)
Community: Thursday, May 20 @ 8 pm/ET
The Office: Thursday, May 20 @ 9 pm/ET
Parenthood: Tuesday, May 25 @ 10 pm/ET
Parks and Recreation: Thursday, May 20 @ 8:30 pm/ET

More Finale Dates Here

Leave a Comment

Filed under Movie News, Music News, TUIW Guide To, TV News

How I Met Your Mother – “Of Course”

Another week of HIMYM, another pop-star guest star. The fact that J. Lo has had success as a comedic actress in the past slightly reassured me though, and it turned out she was great as the author of a book titled Of Course You’re Still Single, Take A Look At Yourself, You Dumb Slut. “Of Course” had potential to be really bad for a lot of reasons, but turned out to be perhaps the funniest and sweetest episode of the season so far.

It all starts in typical HIMYM fashion: with Barney recovered from the Hudson by the police and asked to explain his story. You see, J. Lo’s Anita had hit on him all night, and when he finally took her back to his apartment, she instantly turns cold. Thanks to Ted having flipped through the aforementioned book (“it’s Robin’s!”), they discover she’s following its rules, being the book’s author. When she tells Barney they can only sleep together after seventeen dates. But we all know Barney, and we know he can’t wait that long, so Ted devises a scheme for Barney to take her on a Superdate, seventeen dates rolled into one. The date is introduced in a hilarious musical number that somehow fit perfectly, and was actually a bit better than the big number in “Girls vs. Suits.”

Meanwhile, Robin has been turning down dates with her co-host Don, much to Marshall’s surprise. Well Lilly enlightens him that it’s because Robin is still in her Mourning Period over Barney, all of it made worse not only by Barney’s exploits themselves, but the oblivious celebration of them by the three guys and their amazing “Bang, Bang, Bangity Bang” song, my new favorite HIMYM gag. Adding to it all is the fact that Robin had actually asked Anita to use her method on Barney after interviewing her on her show. So here is Robin, being mocked unknowingly by her friends and watching her plan to get even crumble as Barney takes Anita on the Superdate she never got.

When Barney finds out, he goes to Robin at the shooting range where he apologizes and turns more sincere than we’ve ever seen Barney. Not only does he apologize, he also promises not to sleep with Anita and turns over the Superdate to Robin and Don. So how did Barney end up in the Hudson? Well Anita, not used to hearing someone tell her “no,” threw a Hail Mary at him, and the only way he could avoid breaking his promise to Robin was getting far away and into the cold depths of the water.

It was a sweet ending for a storyline that ended abruptly and bitterly, and it was nice to see more between Robin and Barney. I’ve said all along that Cobie Smulders and NPH have some of the best chemistry on the show (I’d put Alyson Hannigan and Jason Segal first), and while we’d already seen an episode about Barney recovering from the break-up, we hadn’t had one of Robin.

“Of Course” was a solid episode that played to the strengths of both the show and its cast, and was a nice rebound from last week. Everything that didn’t work well in “Hooked” worked well in “Of Course,” but it had nothing to do with the guest star or the quality of the jokes, but rather the fact that “Hooked” was a story detached from its characters and instead a generic story that could have just as easily been done on any other CBS sitcom. “Of Course” was HIMYM at its best. Here’s hoping for more of the same!

Random Notes:

  • Worth noting again, the “Bang” song and its escalation was absolutely hysterical.
  • I love that no one believed Ted when he said the book wasn’t his, even when it turned out to actually be Robin’s.
  • Is it just me, or has Lilly been a little quiet this season? I was hoping for more of her after Alyson Hannigan had her baby.
  • J. Lo was actually pretty good. Her proposal to Barney (and Ted) at the end was really funny.
  • Marshall punching the Stromtrooper helmet was awesome.
  • Marshall’s nickname for Don: “D-bag.”

Michael’s Score: 85

TUIW Grade: A-

1 Comment

Filed under TV Review

How I Met Your Mother – “Hooked”

How I Met Your Mother generally does two things very well: coming up with rules/concepts and handling celebrity guests very well. For rules/concepts, we’ve seen things like Slap Bet, The Bro Code, The Window, and, most recently, Rabbit or Duck work well in helping the overall mythology of the show. As for celebrity guests, they took guest turns from Brittney Spears, Mandy Moore, and Enrique Iglesias and managed to integrate them ably into the story. So in theory, “Hooked” should have worked well, with the gang coming up with the concept of Hooking, keeping someone into you enough to keep them doing nice things for you, and a guest appearance from Carrie Underwood as a girl Hooking Ted.

But it didn’t. “Hooked ended up being the weakest episode of the season for HIMYM and was incredibly disappointing coming out of the Olympic break. It had some bright spots, but overall, it wasn’t really the cohesive or funny. The story is thus: Ted falls for Tiffany (Carrie Underwood), who has a boyfriend but strings him along anyway for cake and foot massages. The gang tries to show him that not only does Tiffany have him Hooked, but he himself has a girl on the hook, Henrietta, a girl madly in love with Ted. Predictably, Ted keeps going after Tiffany, going so far as attending an out of town wedding with her, only to realize that she was Hooked by her jerky boyfriend. So Ted bolts, goes to tell Henrietta he doesn’t want to be with her, and in the process accidentally proposes. It was one of the funnier moments of the episode to see her open the door to Ted picking an engagement ring up off the floor.

Meanwhile, Marshall was using Barney’s teacup pig (his bait to lure women to his apartment) to get Lilly to practice getting Scooter (!) off the hook. It took a lot of work, and once Lilly finally did it, Marshall fell for Scooter’s puppy dog eyes and negated all her progress. Barney went nuts with Tiffany’s co-workers, “pharma girls,” which according the Barney, is the hottest profession in the world right now. His explanation of the history of the hottest professions was hilarious in the typical Barney fashion, and provided a highlight for the episode. Robin was around a little bit, having a cameraman on her Hook, doing her laundry for her.

I really think the big problem with “Hooked” was a weak story and too many mediocre jokes crammed in. It wasn’t the fault of Carrie Underwood, who did fairly well with what the writers gave her. It felt like an episode going for goofy jokes the whole way, and even the gags that worked (Barney’s previous baits, Marshall as a teenager, Barney flipping the bowl of nuts) were coupled with gags that didn’t work (the teacup pig, Scooter’s puppy dog eyes, Henrietta’s parents).

I think with every show, there’s a tendency to want to call the episodes that won you over as a fan better than new or current episodes, so I’m hoping that I’m just watching HIMYM in a different light than I did with seasons one and two, but I’ve been a little unsatisfied so far this season. I realize HIMYM isn’t Lost, and the mythology of the mother shouldn’t be the centerpiece of the show, but it’d be nice to go back to having a guiding theme to the season. Season One had Ted going after Robin, Season Two was about their relationship, but after that, it’s been a string of shorter plots that have caused the show to veer towards typical CBS sitcom territory. Like I said, I’m not asking for a highly serial show, but rather something that has a decided direction and knows where it’s going as opposed to trying to put different spins on frequently used devices. So there’s my rant. J. Lo is on next week, so we’ll see how that goes. Until then, I’ll rewatch the part with Teenage Marshall, always the funniest part of the episode.

Michael’s Score: 54

Tangled Up In Wires Grade: C

1 Comment

Filed under TV Review

How I Met Your Mother – “Rabbit or Duck”

Alright HIMYM fans, those of you that have been watching since the beginning got rewarded last night with an episode full of call backs and classic HIMYM storytelling. Was it a perfect episode? Not quite. But it was sure satisfying to watch, especially if you’ve watched any older episodes recently.

The title of the episode, “Rabbit or Duck,” referred to an optical illusion, where you’d either see a rabbit or a duck. After a vigorous, angry, and hilarious debate, the gang decided that you love a duck and hate a rabbit, though much to Marshall’s chagrin. This all came out of Robin’s hatred for her co-host, Don (hey! it’s the dude from Big Love!), and the gang’s teasing that perhaps she actually loved him. You see, Don’s not caring about what he says or does on air had extended so far as to ask Robin to come to his Valentine’s Day party on the air. She was put off by this, but went anyway, bringing as back up Ted “Teddy Westside” Mosby. When they arrive, Don is prepared with The Naked Man (!), causing Ted to turn and leave and Robin to decide once and for all that Don is a Rabbit.

Don felt bad however, and not only apologized profusely to Robin for the incident, but decided to do the news for real and even put on pants. His sincere apology had an effect on Robin, as she no longer saw him as a rabbit, but now a duck. When Don first appeared, Future Ted made it sound like he’d be important to Robin’s arc. So far, we’ve seen Robin really only be with two guys, Ted and Barney, so I’ll be interested to see her go off with someone we don’t already know. I’m thinking this will be a way to work with Cobie Smulders’ pregnancy, giving the writers a way to write her out for a short period of time, just as they did with Alyson Hannigan last season, but we’ll see.

As for the rest of the gang, Barney was struggling with the gift and curse of the  phone that never stopped ringing with women. As any of the millions and millions of you that watched the Super Bowl, you probably saw Barney pop up holding a sign with a phone number. Well that phone wouldn’t stop ringing, and Barney hired Ranjit (“Hello!”) to drive him around from woman to woman. Only problem? he couldn’t resist putting down the phone long enough to sleep with any of them.

The phone ended up in the hands of Ted, who had asked Marshall and Lilly to set up an arranged marriage for him after Ranjit shares the story of his own. Ted too got addicted to the never ending stream of phone calls, and it took a drop in a pitcher of alcohol to finally silence the phone and get Barney and Ted out of their obsession.  It was a clever plot line for sure, and I’m glad to see Ted back looking for a wife. It was a goofy B-plot that was vintage HIMYM. It was reminiscent of old school HIMYM adventures, and was fun to watch.

“Rabbit or Duck” was a near perfect episode that was solid, even when it missed the mark. It seems like the episode would have done better with maybe an extra five minutes to it, as, especially towards the end, it felt a little rushed and compacted. But I’ll take it as is: a rewarding episode that reminds me of why I fell in love with this show in the first place.

Other Notes:

-Callbacks: The Super Bowl party with wings, Ranjit, “lawyered!,” The Naked Man, and references to Ted’s exes Trudy, Natalie, and Blah Blah.

-”One patient will be receiving a very special chocolate heart.  A human heart.”

Michael’s Score: 86

Tangled Up In Wires Grade: A

1 Comment

Filed under TV Review

How I Met Your Mother – “The Perfect Week”

There are few people in Hollywood that are having as big of a hot streak as Neil Patrick Harris is right now, and episodes like “The Perfect Week” show exactly why. Barney started HIMYM as a one joke character, but NPH has helped make him so much more than that, which is why he steals the show so often. From the start we knew him as the ultimate player, a guy who every episode went home with a different girl. His relationship with Robin earlier in the season showed he had the potential to settle down, but he’s just more fun to watch when he’s making up ridiculous tasks and rules and using a seemingly endless imagination for the most unseemly purposes. A perfect week was Barney’s ultimate goal, seven girls in seven days. In an imagined interview with a surprisingly decent Jim Nantz, he recaps his biggest triumph and every obstacle that stood in his way. Sports gags, like Ted’s awesome “mound visit” in the bar come in abundance as Barney’s goal becomes the center of attention for the gang. It’s like if you combined Hoosiers with American Pie into a perverse inspirational sex comedy.

Marshall reveals, however, that while all of this is happening, Barney is facing a possible firing at work for messing up a merger. Lilly wants to help remind him of this, to help him get his head in the right place, and it seemingly gets in the way of his larger goal, the perfect week. But Lilly realizes what countless ESPN stories have already taught us: that sports is a distraction to the real world, and Barney’s quest would be not only be a big break for him in a bad time, but for the rest of the gang as well. You see they were all having problems too: Marshall and Lilly lost the potential friendship of a couple when they let slip that they shared a toothbrush, Ted crushed a girl named Cook Poo by mocking her name, and Robin was fretting over the fact that a nerdy guy she didn’t like on their first date hadn’t called her. A win for Barney would be a win for everyone.

In the end, Barney reached his goal, albeit with some help from everyone else, and everyone got to forget about their problems for a while. Barney got to keep his job too, which added another good thing to the end of a bad week. Which meant more to Barney, keeping his job or the perfect week, is hard to say, but it doesn’t matter: he got both. The rest of the gang didn’t get as much resolution, but there problems were much more minor in comparison, so really, that’s okay. “The Perfect Week” was a pretty classic HIMYM episode, and continued a string of solid episodes that’s really helping this show rebound from a shaky start to the season.

Other Notes:
- I feel like a broken record saying that Cobie Smulders is so damn funny on this show. When Robin was asked why she thought her date would call her, her reaction was perfect and one of my favorite moments of the episode.
- Also, Lilly’s analogy of the Yankees to the “Cachucks” was hilarious. One of HIMYM’s funniest recurring bits is making fun of Robin for being from Canada.
- On a related note, how was Nick Swisher the highest profile Yankee player they could get?
- Watch the first 2 minutes of the show that follows HIMYM, the atrocious Accidentially on Purpose, and you’ll really get a sense of how HIMYM is hands down the smartest comedy on CBS.

Michael’s Score: 84

Tangled Up In Wires Grade: A-

Leave a Comment

Filed under TV Review