Category Archives: News

Kanye West Is Making a Movie in the Middle East Because Of Course He Is

Musician, mogul, throne-watcher, and Donda CEO Kanye West is finally returning to his roots as a filmmaker. According to the New York Observer, Ye is in the Middle East to shoot a follow-up short to “Runaway,” which, of course, was so good that it cured world hunger. This time, Yeezy has his sights set even higher, according to his reps:

“His reps seemed genuinely enthusiastic about creating a piece which highlights the culture accurately,” our source explained. “There’s a lot of preconceived notions and stereotypes about Emiratis and Qataris, which Westerners often play up. They discussed how Kanye is looking to bridge the cultural divide and break misconceptions.”

Yup, the film will indeed finally create peace between the West and the Middle East, so we have that to look forward to, along with Ye’s eventual Nobel Peace Prize (and subsequently shoving Philip Roth off the stage to demand the Nobel Prize for Literature should go to Haruki Murakami instead). Of course, its always possible that this is just a ruse to cover up the fact that Kanye is finally beginning work on The Jetsons movie, so more on this story as it develops.

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Oscar Nominations are Here

Yes, after 9,000 months of campaigning and preliminary awards, today the Academy separated the contenders from the pretenders and announced who was up for Oscars. There were plenty of surprises, both pleasant and otherwise. Support for Terrance Malick’s masterpiece The Tree of Life was stronger than a lot of people expected, as the film garnered Best Picture and Director nods. Best Actor contained two surprises, as Gary Oldman’s soft spoken spy from Tinker Tailor Solider Spy and Demian Bashir’s illegal immigrant from A Better Life edged out expected frontrunners Leonardo DiCaprio and Michael Fassbender. Melissa McCarthy got a well-deserved nomination for Bridesmaids, but unfortunately Albert Brooks got ignored for his work in Drive. Oh and you guys will love this, 9/11 exploitation-fest Extremely Loud and Incredibly Close somehow got nominated for Best Picture. Predictions and analysis to come, but let’s all remember one thing: the Dean from Community is now an Oscar nominee.

Best Picture
The Artist
War Horse
Moneyball
The Descendants
Tree of Life

Midnight in Paris
The Help
Hugo
Extremely Loud and Incredibly Close

Best Actress
Meryl Streep, The Iron Lady
Viola Davis, The Help
Michelle Williams, My Week With Marilyn
Glenn Close, Albert Nobbs
Rooney Mara, The Girl With the Dragon Tattoo

Best Actor
Jean Dujardin, The Artist
Gary Oldman, Tinker Tailer Soldier Spy
George Clooney, The Descendants
Brad Pitt, Moneyball
Demian Bichir, A Better Life

Best Supporting Actress:
Octavia Spencer, The Help
Bérénice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs

Best Supporting Actor:
Christopher Plummer, Beginners
Kenneth Branagh, My Week With Marilyn
Nick Nolte, Warrior
Jonah Hill, Moneyball
Max Von Sydow, Extremely Loud and Incredibly Close

Best Director
Alexander Payne, The Descendants
Michel Hazanavicius, The Artist
Martin Scorsese, Hugo
Woody Allen, Midnight in Paris
Terrence Malick, Tree of Life

Best Original Screenplay:
Michel Hazanavicius, The Artist
Kristen Wiig and Annie Mumolo, Bridesmaids
J.C. Chandor, Margin Call
Woody Allen, Midnight in Paris
Asgar Farhadi, A Separation

Best Adapted Sceenplay
Alexander Payne, Nat Faxon and Jim Rash, The Descendants
John Logan, Hugo
Aaron Sorkin and Steven Zaillian, Moneyball
George Clooney, Grant Heslov, Beau Willimon, Ides of March
Peter Straughan and Bridget O’Connor, Tinker Tailor Soldier Spy

Best Foreign Language Film
Bullhead
Footnote
Monsieur Lazhar
A Separation
In Darkness

Best Animated Feature
Rango
A Cat in Paris
Puss in Boots
Kung Fu Panda 2
Chico and Rita

The complete list of nominees is up at Vulture.

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Savannah Film Festival Announces Competition Films

Once again, TUiW is fortunate enough to go to the Savannah Film Festival and get a sneak peak of some of this year’s Oscar contenders before they hit wide release. Headline films include Roman Polanski’s Carnage and Cannes favorite The Artist, and this morning, the festival announced its competition films. Check out the list below and check back when the festival starts to read our thoughts on them.

A Year in Mooring

USA, 2011, 91 min., HDCam
Director: Chris Eyre
Producers: Kevin Reidy, Sally Jo Effenson
Writer: Peter Vanderwall
Cast: Ayelet Zurer, James Cromwell, Jon Tenney, Taylor Nichols, Josh Lucas

Synopsis: A successful businessman, attempting to escape his past, moves aboard a dilapidated boat in a remote harbor. Told over movements framed by the calendar year, the Young Mariner meets other harbor inhabitants with pasts of their own.

Inuk

France/Greenland, 2010, 90 min., HDCam
Director: Mike Magidson
Producers: Mike Magidson, Sylvie Barbe
Writers: Mike Magidson, Jean-Michel Huctin
Cast: Gaaba Petersen, Ole-Jorgen Hammeken

Synopsis: In Greenland’s capital, Nuuk, sixteen year-old Inuk lives a troubled life with his alcoholic mother and violent step-father. One morning, after pulling the half-frozen boy out of an abandoned car, the social services decide to send Inuk north to a children’s home on a tiny island in the middle of the arctic sea-ice. Shortly after arriving, Inuk meets Ikuma, a local polar bear hunter who has his own share of problems, and is asked to take Inuk on his annual seal-hunting trip. So when Inuk, the troubled boy from the city, joins Ikuma, the last great hunter of the North, on this epic dogsled journey, they will face much more than the bitter cold and fragile sea-ice.

Let Go

USA, 2011, 109 min., HDCam
Director: Brian Jett
Producer: Leif Lillihaugen
Writer: Brian Jett
Cast: Alexandera Holden, Amy Stiller, Brian Huskey, Catherine Reitman, David Denman, Dov Davidoff, Edward Asner, Gillian Jacobs, Johnny Pemberton, Kali Hawk, Kevin Hart, Kirk Fox, Maria Thayer, Rance Howard, Simon Helberg

Synopsis: A comedy that follows the intertwining stories of Walter Dishman, a melancholy parole officer struggling with the doldrums of married life, and three eccentric ex-convicts that were recently placed under his supervision. Using the afflictions of modern love as a common thread, the stories build to a poignant climax as each of the characters struggle to free themselves from both literal and figurative bonds.

Take Me Home

USA, 2011, 97min, Blu-Ray
Director: Sam Jaeger
Producer: Michael Hobert, Jane Kelly Kosek
Writer: Sam Jaeger
Cast: Sam Jaeger, Amber Jaeger, Victor Garber, Cristine Rose, Lin Shaye

Synopsis: When Claire jumps in Thom’s beat-up cab in New York, neither realize that they have just begun a journey together of self-discovery that will have them crossing the United States in an effort to find home.

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A Fond Farewell to R.E.M.

After 31 years, R.E.M. are calling it quits. One of the most important bands of the last three decades, R.E.M. are responsible for the success and popularity of modern indie rock. There are obvious musical descendants, like The National, but every band on an independent label owes a little bit to R.E.M. for helping keep indies financially viable. Even after joining Warner Brothers, the band set the gold standard for artistic integrity in the MTV era, creating compelling, thoroughly enjoyable music without a hiccup for nearly 15 years. Though the band weakened a bit with the departure of drummer Bill Berry after 1997’s New Adventures in Hi Fi, the three remaining members went through a renaissance on their last two albums, 2008’s Accelerate and this year’s Collapse Into Now. Undoubtedly, their legacy will be centered into what they did between 1981 and 1995, but what the band leaves behind is a tremendous catalogue of music that very few bands can match.

While countless tributes will be offered up by writers and critics more important and influential than myself, I can’t sit by and fail to comment on a band that has meant more to be than can be put into words. I was born in the mid-80s, and by then, Murmer and Reckoning had already made the band one of the most respected and beloved bands of the decade. Because of this, I quite literally grew up on the band. I very clearly remember the first time I heard them. Driving home one night as a kid, I was in the back, clamoring for my parents to put something on. My dad told me that we were going to listen to something he and my mom wanted to hear, and he put on a mix tape of R.E.M. songs. To call the moment transformative would be a stretch, but even as a kid, I instantly fell in love with the band. I may not have known what the hell “Losing My Religion” meant, but it was an incredibly catchy song that was impossible not to be drawn to.

As I got older and dug into the band’s catalogue, I could hear R.E.M. in many new bands I was discovering. Thom Yorke’s love of Michael Stipe was evident. The Decemberists clearly were fans of Peter Buck. Countless acts aped the tight rhythm section of Mike Mills and Bill Berry. I joined fan club, feverishly downloaded every bootleg and b-side, and finally in November 2004, got a chance to see R.E.M. play in Indianapolis. During the closer, “Man on the Moon,” I bounced up and down, the guy with graying hair next to me watched on amused. “You shoulda seen them in the 80s,” he said.
By ending now, R.E.M. isn’t quitting at their peak, but at a high point, sparing us from seeing them devolve into a soulless touring entity (the Rolling Stones), lose their cool (U2) or begin to crumble internally (Metallica). Instead we’re left with the music and memories of a band that comes along only once in a generation.

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Neutral Milk Hotel Releasing Box Set, Unreleased Tracks

It’s become a small tradition here at TUiW to report on every movement Neutral Milk Hotel frontman Jeff Mangum makes, but this one undoubtedly takes the cake. On the band’s newly redone website, Mangum announced the release of a massive vinyl box set of NMH material, including a slew of previously unreleased tracks. The box will contain the band’s two classics, On Avery Island and In the Aeroplane Over the Sea, as well as the out of print Everything Is EP and 7″ for Aeroplane single “Holland, 1945.” The exciting part is the bonus EP, Ferris Wheel on Fire, that features seven previously unreleased tracks (and “Engine,” a b-side), a single of unreleased versions of Avery Island‘s “You’ve Passed” and “Where You’ll Find Me Now,” and a single with studio and live versions of unreleased track “Little Birds.” Phew. The box is available for pre-order for $88, while MP3s of the unreleased tracks will be available as pay-what-you-want on November 22 at the new NMH website, which has been overrun with traffic all morning. If you get through on the site, you’ll have a chance to listen to “Sister” and “Ferris Wheel on Fire,” as well as a 30-minute radio program curated by Mangum himself. Below, check out the Ferris Wheel on Fire tracklist, as well as Mangum’s tour schedule. Past Me is so jealous of Present Me right now.

Ferris Wheel on Fire:

  • Side A -
  • Oh Sister
  • Ferris Wheel on Fire
  • Home
  • April 8th
  • Side B -
  • I Will Bury You In Time
  • Engine
  • A Baby For Pree/Glow Into You
  • My Dream Girl Don’t Exist

Jeff Mangum Tour Dates:

09-07 Northampton, MA – Academy of Music Theatre
09-09 Cambridge, MA – Sanders Theatre at Harvard University
09-10 Boston, MA – Jordan Hall at New England Conservatory
09-26 Baltimore, MD – 2640 Space at St. John’s Church
09-27 Baltimore, MD – 2640 Space at St. John’s Church $
09-30 Asbury Park, NJ – Paramount Theatre (ATP)
10-02 Asbury Park, NJ – Paramount Theatre (ATP)
10-03 Asbury Park, NJ – Paramount Theatre (ATP) $
10-27 Woodstock, NY – Bearsville Theater (Woodstock Farm Animal Sanctuary Benefit)
10-29 New York, NY – Town Hall
11-06 Jersey City, NJ - Loew’s Theatre
11-30 Dublin, Ireland - Whelan’s
12-04 Minehead, England – ATP Curated by Jeff Magnum
12-08-09 London, England – Union Chapel

$ with a Hawk and a Hacksaw

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Primetime Emmy Nominations: Who Will Win

The September 18 Emmys are still a long time away, but the nominations were announced last night. Here’s our expert analysis on who will win, who should win, and who got snubbed.

BEST DRAMA SERIES

Boardwalk Empire
Dexter
Friday Night Lights
Game of Thrones
The Good Wife
Mad Men

Who Will Win: Mad Men. This is there year to break through the Breaking Bad wall. Boardwalk has a strong chance as well, but I think the boys at SCDP are going to be happy come Emmy night.

Who Should Win: Friday Night Lights. The final season of FNL was not its best (season 1 or 4), but was still very good, and getting a symbolic win in its last season would be great to see. Don’t hold your breath though.

Who Was Snubbed: Justified. Seriously, how was this show forgotten?

BEST COMEDY SERIES
Big Bang Theory
Glee
Modern Family
The Office
30 Rock
Parks and Recreation

Who Will Win: Too Close to Call. This is a really tight category, where any of these shows could take the statue, but…

Who Should Win: Parks and Recreation. Hands down the funniest show with the best cast. The show went nuts this year, with no weak episodes, and if it doesn’t win, I’ll go on a hunger strike (or probably just be mad for a few days).

Who Was Snubbed: Community. The show had a few brilliant episodes this season, including a few that were light on the wacky humor that helped build the shows fanbase, but heavy on tremendously done storytelling. A shame it didn’t get a nod.

BEST DRAMA ACTOR

Timothy Olyphant, Justified
Steve Buscemi, Boardwalk Empire
Kyle Chandler, Friday Night Lights
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House

Who Will Win: Jon Hamm. It’s his year to hold the statue before Cranston comes back. And honestly, if you saw the episode “The Suitcase,” you’ll have no problem agreeing with me.

Who Should Win: Kyle Chandler. Like FNL in the Drama Series category, this would be symbolic, though Chandler was pitch perfect in his final season as Coach Taylor, and deserves it outright.

Who Was Snubbed: This category is surprisingly tight. Not much you can argue here.

BEST DRAMA ACTRESS
Connie Britton, Friday Night Lights
Julianna Margulies, The Good Wife
Kathy Bates, Harry’s Law
Mariska Hargitay, SVU
Mirelle Enos, The Killing
Elisabeth Moss, Mad Men

Who Will Win: Elisabeth Moss. If you saw Hamm in “The Suitcase,” you know Moss deserves an Emmy for her work too. She’s past due, and this will be her year.

Who Should Win: Connie Britton. If I had a vote, I’d vote for Moss, but Britton spent five years doing phenomenal work as Tammy Taylor, and it’s sad to see her come away from it all empty handed.

Who Was Snubbed: January Jones, Mad Men. I’m not the biggest January Jones fan, and Betty didn’t have much to do this season, but when she was on screen, the whole mood of the scene changed. Betty was fascinating to watch this year, thanks in large part to Jones.

BEST COMEDY ACTRESS
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Laura Linney, The Big C
Melissa McCarthy, Mike & Molly
Martha Plimpton, Raising Hope
Amy Poehler, Parks & Recreation

Who Will Win: Amy Poehler. Tina Fey might surprise, but I think this is Poehler’s year. She was very good all season, and I think that will be hard to ignore.

Who Should Win: Amy Poehler. Seriously. She was great.

Who Was Snubbed: Alison Brie, Community. Annie is one of the sweeter, more fun characters on TV right now. Just watch her try and be someone else in the bar night episode, you’ll see what I mean.

BEST COMEDY ACTOR
Alec Baldwin, 30 Rock
Matt LeBlanc, Episodes
Jim Parsons, The Big Bang Theory
Steve Carell, The Office
Johnny Galecki, The Big Bang Theory
Louie C.K., Louie

Who Will Win: Steve Carell. He hasn’t won an Emmy yet for playing his most iconic roll, and this is the last chance. Voters won’t forget that.

Who Should Win: Louie C.K. It seems like an odd nomination, but it’s sort of Louie‘s consolation prize.

Who Was Snubbed: Joel McHale, Community. The longer he’s on Community, the better he’s getting.

OUTSTANDING SUPPORTING ACTOR, COMEDY
Chris Colfer, Glee
Jesse Tyler Ferguson, Modern Family
Ed O’Neill, Modern Family
Eric Stonestreet, Modern Family
Ty Burrell, Modern Family
Jon Cryer, Two and a Half Men

Who Will Win: Ty Burrell. It’s gotta be someone from Modern Family, and it might as well be the most consistently funny.

Who Should Win: If not Burrell, Eric Stonestreet. After Phil, Cam is among the funniest characters on TV.

Who Was Snubbed: A long list here, including Danny Pudi, Aziz Ansari, Nick Offerman, Rainn Wilson, all of whom did fantastic work this season on shows that were not Modern Family.

OUTSTANDING SUPPORTING ACTOR, DRAMA
Peter Dinklage, Game of Thrones
Josh Charles, The Good Wife
Alan Cumming, The Good Wife
Walton Goggins, Justified
John Slattery, Mad Men
Andre Braugher, Men of a Certain Age

Who Will Win: John Slattery. Like I said, it’s Mad Men’s year to break through the Breaking Bad wall.

Who Should Win: Walter Goggins or Peter Dinklage. Both were fantastic, but will certainly be forgotten come voting time.

Who Was Snubbed: Not to bring in more Mad Men, but the more the show has gone on the more I like Vincent Kartheiser as Pete, who has yet to get a nomination.

OUTSTANDING SUPPORTING ACTRESS, COMEDY
Jane Lynch, Glee
Betty White, Hot in Cleveland
Julie Bowen, Modern Family
Sofia Vergara, Modern Family
Kristen Wiig, Saturday Night Live
Jane Krakowski, 30 Rock

Who Will Win: Kristen Wiig. This will be her anointment into stardom, much the same way Tina Fey (and hopefully Amy Pohler) got her first Emmy en route to a successful movie career. She deserves it too.

Who Should Win: Julie Bowen. Claire isn’t a likable character without her.

Who Was Snubbed: Rashida Jones, Parks and Recreation. Poor, beautiful Anne.

OUTSTANDING SUPPORTING ACTRESS, DRAMA
Archie Panjabi, The Good Wife
Kelly Macdonald, Boardwalk Empire
Christine Baranski, The Good Wife
Margo Martindale, Justified
Michelle Forbes, The Killing
Christina Hendricks, Mad Men

Who Will Win: Christina Hendricks. This is a really tight category full of deserving actresses, but she’ll have the Mad Men luck behind her.

Who Should Win: Margo Martindale. If you’ve watched Justified, you know why.

Who Was Snubbed: No one here. Fantastic group of actresses.

OUTSTANDING MINISERIES OR MOVIE
Cinema Verite
Downton Abbey
The Kennedys
Mildred Pierce
The Pillars of the Earth
Too Big to Fail

BEST VARIETY SERIES
The Colbert Report
Conan
The Daily Show with Jon Stewart
Late Night with Jimmy Fallon
Real Time with Bill Maher
Saturday Night Live

OUTSTANDING REALITY PROGRAM
Antiques Roadshow
Undercover Boss

OUTSTANDING REALITY COMPETITION
The Amazing Race
American Idol
So You Think You Can Dance
Top Chef

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Stephen Malkmus and the Jicks’ Beck Produced Album Out in August

Having spent a good part of 2010 on the road with some band he used to be a part of, Stephen Malkmus and the Jicks are ready to prep the release of a new, Beck produced album. Coming out August 23, Mirror Traffic was started about a year ago, but the Pavement reunion tour led to it being delayed for a while. This will be the second Beck produced album coing out this summer, along with fellow indie icon Thurston Moore’s Demolished Thoughts, which dropped today. Mirror Traffic will be the last Jicks album featuring drummer Janet Weiss, who is heading off to work full time with her new band, Wild Flag, with Mary Timony and her Sleater-Kinney bandmate Carrie Brownstein. Matador promises MP3s soon, and we’ll be sure to share. In the meantime, we’ll marvel at the fact that this article mentions Pavement, Beck, Sonic Youth, and Sleater-Kinney.

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Fox Picks Up Four Shows, Dumps Five

Good news today for fans of Manic Pixie Dream Girls and bad news for fans of White Sox-loving cops. With the fall season coming to a close and network upfronts on their way, Fox has picked up four new shows, including The New Girl, a Zooey Deschanel vehicle that features Mrs. Ben Gibbard as a suddenly single teacher who moves in with three guys. Also picked up were J.J. Abrams’ Alcatraz, I Hate My Teenage Daughter, and a Bones spin-off, Finder. To make room, the network is dropping poor performers Breaking In, The Human Target, Lie to Me, Traffic Light, and Sean Ryan’s cop drama The Chicago Code. Rumor is the rest of their lineup will be filled with shows with singing and Seth McFarlane. [Ed. Note: That was a startlingly accurate joke]

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Is On-Demand Really Killing Movie Theaters?

There’s an interesting article in the New York Times today about a growing feud between movie studios and the theaters that show their products.

Studios, exhibitors and filmmakers are arguing about the future of the business, and whether people in coming years will be more likely to watch movies in theaters or in increasingly sophisticated home setups mimicking the quality, immediacy and, perhaps, cost, of today’s theatrical experience.

Last week, four studios — Sony Pictures Entertainment, 20th Century Fox, Universal Pictures, and Warner Brothers — took the first step in their arrangement with DirecTV to release films two months after their theatrical release.

The first premium on-demand offering came on Thursday, as DirecTV offered Sony’s “Just Go With It,” with Jennifer Aniston and Adam Sandler, for $30. Two dozen filmmakers, including James Cameron and Peter Jackson, fired back with an open letter criticizing the experiment as a threat to theaters.

I find this interesting for a number of reasons. As a cinephile, my first inclination is to side with the exhibitors and filmmakers who are arguing that the movie theater is a vital part of movies as an artform. It is disingenuous of studios to claim that this is anything other than an attempt to make more money by cutting theaters out of the process. Anyone who thinks that the move towards on-demand will stop with putting out movies two months after their theatrical release probably also thought that shutting down Napster would end music piracy. If nothing else, it is incredibly shitty to force theater owners to spend billions of dollars upgrading to digital 3D technology and then pull the rug out from under them by moving to on-demand distribution.

And yet, I don’t actually think I agree with the directors on this one. We live in a country and an economy governed by the ideas of a free market and a healthy competition and I think some healthy competition might be the best thing to improve an experience that is, quite frankly, not all that special at all anymore. Leaving aside the common complaints of too many commercials, obnoxious cell phone and baby wielding patrons, and the exorbitant prices, going to the movies is a frustratingly impersonal experience. Every theater near me has between 12 and 24 screens and the charm and warmth of a Wal-Mart. It is, frankly, an alienating experience; one that I am not willing to fight for and would be more than happy to abandon were a better opportunity to come along.

At first I was somewhat resistant to using on-demand to watch movies, but more and more, I’ve come around to it. Especially living in Charlotte, services like IFC On-Demand offer me movies that I would otherwise not have access to. It has broadened, not narrowed, the range of movies I can see (which seems obvious, but the open letter from the directors argues the opposite – that we need theaters to bring attention to “specialty films” – as if I even have the option of going to the theater to see movies like “Certified Copy” or “Super” if I wanted to). And I get a much more enjoyable experience watching a movie in my home.

The answer is not to stop on-demand home viewing right now (although by charging $30 for movies like Just Go With It, the studios may take care of that themselves). The answer is to evolve, like the business had to do in the 1950s with the invention of television. Places like the Alamo Drafthouse have found a way to make people WANT to go to the movies again (interestingly, one way they’ve done so is by showing a lot of movies that aren’t new studio releases, which is a topic for whole other blog post) and they’re doing quite well for themselves. Like the music industry and the publishing industry, movie theaters find themselves in a time of transition, dealing with a new technology they don’t quite understand. Some will be able to adapt successfully and survive and some won’t. But one thing they can’t do is stop people from wanting and obtaining new technology. Going to the movies used to be an event, the places where they used to be shown were called palaces. Now going to my local AMC or Regal theater has all the appeal and glamour of a trip to Applebee’s. Offer a superior product and people will come.

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Bubble Watch 2011: What Shows Might Bite the Dust?

It’s that time of year again when everyone gets nervous that their favorite show that no one watches is going to get cancelled. To help ease (or feed) your fears, we’ve come up with this handy list and scale to help you out. The scale is 0-10, with 0 meaning the show is gone, 5 meaning it’s on the fence, and 10 meaning it’s a sure bet to return. So without further ado, here we go:

Parenthood

What started out as a chaotic, melodramatic show, Parenthood has become one of the best ensemble dramas on TV. It’s no coincidence that its gotten better as executive producer Jason Katims wrapped up Friday Night Lights, and any fan of the football drama that isn’t watching Parenthood needs to do so immediately. That aside, the strong ratings opposite CBS’ popular The Good Wife and the critical acclaim (rare for an NBC drama in recent years) will probably come back for a third season, even though there hasn’t been a renewal yet.

Cancellation Scale: 8

House

Surprised to see this one on here? The show hasn’t been renewed yet as FOX and the show’s studio, NBC Universal are haggling over contracts, but the long running show has ratings to back it up. Ultimately the biggest issue for TV fans is whether or not House will still be quality entertainment for another season or two. I love the cranky doctor as much as the next guy, but after seven seasons, the jokes are stale and the insane medical crisises aren’t exciting. House will be back, rest assured, but maybe its time to start thinking about pulling the plug.

Cancellation Scale: 10

Mr. Sunshine

For a show that most people didn’t like at first, it has steadily improved as its become less and less reliant on Matthew Perry making sour faces and brought the excellent supporting cast into the spotlight a bit more. The show has been ABC’s best new comedy, despite airing opposite American Idol and frequently after low rated Modern Family reruns. This isn’t a perfect show, but there’s potential, especially if its paired with Cougar Town, which shares a similar quirky vibe. If ABC finds something better, it’ll get the axe, but if not, expect to see it on the lineup in the fall.

Cancellation Scale: 5

The Chicago Code

Shawn Ryan had a rough fall with Terriers, and his cop drama on FOX hasn’t exactly done stellar this spring. Still, the show has been slowly getting stronger and has been up against lighter, popular comedies on CBS, and FOX really needs it. The network has had a rough stretch when it comes to new dramas in the past few years, and their two popular franchises in the genre, House and Bones have lost the shine they had a few years ago. It wouldn’t be uncharacteristic of the network to drop The Chicago Code and start fresh in the fall with four new dramas, but the prevailing notion is that unless something better comes along, you’ll hear more ridiculous statements about the White Sox being better than the Cubs.

Cancellation Scale: 6

Perfect Couples/Outsourced

To be clear, Perfect Couples isn’t a good show, but Outsourced is atrocious. The former should be cancelled because it isn’t fresh or entertaining enough to watch week to week, and the latter has spent an entire television season insulting smart viewers and the entire nation of India with jokes about diarrhea and culture clashes. The two shows are the weak links in NBC’s three hour comedy block, but they aren’t necessarily signs that the experiment failed. 10:00 is a good spot for 30 Rock, and renewals for Community and Parks and Recreation have proven they work in their time slots. This is ultimately an issue of quality instead of quantity, but NBC will probably run for cover and put an hour long show back in at 10. Despite this fact, it’ll be nice to get rid of Outsourced and barely noticeable that we’ll be rid of Perfect Couples.

Cancellation Scale: 1

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