Monthly Archives: January 2012

84th Academy Award Nominees: Who Will Win, Who Should Win, and Who Was Snubbed

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The nominations for the Oscars went out this morning and with them, the first round of quick reactions and predictions. After several months of following smaller, but not insignificant awards, here are our official predictions and complaints. Agree? Disagree? Let us know!

Best Picture

The Artist

War Horse

Moneyball

The Descendants

Tree of Life

Midnight in Paris

The Help

Hugo

Extremely Loud and Incredibly Close

Who Will Win: The Artist. It’s had all the steam throughout the early awards season, and it doesn’t appear any of the other films have the clout to take it down.

Who Should Win: Really it’s a wide open category if The Artist loses, but look for The Descendants to take the statue if Oscar voters aren’t into French silent films.

Who Was Snubbed: Young Adult. Not a single nomination for Jason Reitman’s latest. It’s surprising The Girl With the Dragon Tattoo got nothing, but the lack of any love for Young Adult is a travesty.

Best Actress

Meryl Streep, The Iron Lady

Viola Davis, The Help

Michelle Williams, My Week With Marilyn

Glenn Close, Albert Nobbs

Rooney Mara, The Girl With the Dragon Tattoo

Who Will Win: Michelle Williams. She’s clearly been the front runner through most of awards season and though Meryl Streep has had a lot of buzz, Williams is by the far the safest bet of all nominees.

Who Should Win: If not Williams, it will be Meryl Streep. The other three nominees are all deserving, but Oscar politics always trump anything else.

Who Was Snubbed: Tilda Swinton. I’m not sure if We Need to Talk About Kevin was eligable for the Oscars, but if it was, it’s a travesty she didn’t get a nod. Also deserving: Charlize Theron, who carried Young Adult.

Best Actor

Jean Dujardin, The Artist

Gary Oldman, Tinker Tailor Soldier Spy

George Clooney, The Descendants

Brad Pitt, Moneyball

Demián Bichir, A Better Life

Who Will Win: George Clooney. He has a Supporting Actor award already, and as is the Oscar way, he’ll win because it’s his time.

Who Should Win: Honestly, this category is dynamite. If it’s not Clooney, expect either Oldman, Dujardin, or Pitt, in that order.

Who Was Snubbed: Michael Fassbender for Shame and Michael Shannon for Take Shelter. Two of the most talked about performances of the year got no attention. I expected at least one to get a nod, and it’s surprising neither of them did.

Best Supporting Actress

Octavia Spencer, The Help

Bérénice Bejo, The Artist

Jessica Chastain, The Help

Melissa McCarthy, Bridesmaids

Janet McTeer, Albert Nobbs

Who Will Win: Jessica Chastain. Sometimes the Oscars are about welcoming people into the community of Oscar winners, and after a huge year, expect Chastain to get that honor.

Who Should Win: This is another loaded category in which anyone has a convincing argument, but if it’s not Chastain, Bejo could steal the show.

Who Was Snubbed: Though she really didn’t get nominated for any other awards, Shailene Woodley from The Descendants deserved at least a little attention for her breakthrough performance.

Best Supporting Actor

Christopher Plummer, Beginners

Kenneth Branagh, My Week With Marilyn

Nick Nolte, Warrior

Jonah Hill, Moneyball

Max Von Sydow, Extremely Loud and Incredibly Close

Who Will Win: Christopher Plummer. This is the closest thing to a lock in this year’s ceremony.

Who Should Win: Honestly, Plummer. He owns Beginners and is truthfully the most deserving.

Who Was Snubbed: Albert Brooks. Without a doubt the biggest snub of the Oscars. Though no one expected him to beat Plummer, not even getting nominated was absolutely crazy. Special Mention also goes to Patton Oswalt for Young Adult.

Best Director

Alexander Payne, The Descendants

Michel Hazanavicius, The Artist

Martin Scorsese, Hugo

Woody Allen, Midnight in Paris

Terrence Malick, Tree of Life

Who Will Win: Martin Scorsese. When Oscar voters are in doubt, they always go with one of the all time greats.

Who Should Win: Alexander Payne. Consider it the consolation prize for The Descendants if The Artist picks up Best Picture.

Who Was Snubbed: David Fincher is notably absent from this list, but given the overall lack of love for The Girl With the Dragon Tattoo, it’s not too surprising.

Best Original Screenplay

Michel Hazanavicius, The Artist

Kristen Wiig and Annie Mumolo, Bridesmaids

J.C. Chandor, Margin Call

Woody Allen, Midnight in Paris

Asgar Farhadi, A Separation

Who Will Win: Woody Allen. Midnight in Paris was a phenomenal film, and given his uneven work in the last 10 years, this could be the Academy’s last chance to honor one of the greats.

Who Should Win: Kristen Wiig and Annie Mumolo have the best shot at sneaking in if Allen doesn’t win. Hazanavicius has a shot as well, but he’ll win elsewhere, leaving the door open for the breakthrough comedy duo.

Who Was Snubbed: Diablo Cody for Young Adult. It’s ridiculous this film didn’t get a single nomination. It rank with Albert Brooks as one of the biggest snubs of the year.

Best Adapted Sceenplay

Alexander Payne, Nat Faxon and Jim Rash, The Descendants

John Logan, Hugo

Aaron Sorkin and Steven Zaillian, Moneyball

George Clooney, Grant Heslov, Beau Willimon, Ides of March

Peter Straughan and Bridget O’Connor, Tinker Tailor Soldier Spy

Who Will Win: Payne, Faxon, and Rash. Again, look for The Descendants to pick up a bunch of awards that aren’t Best Picture. That’s not to detract from the fact that they actually deserve this award though.

Who Should Win: If the Descendants  lose, the safe money is on Sorkin and Zaillian, picking up Moneyball’s consolation prize.

Who Was Snubbed: Yasmina Reza and Roman Polanski for Carnage. Easily one of the funniest films I saw all year.

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Oscar Nominations are Here

Yes, after 9,000 months of campaigning and preliminary awards, today the Academy separated the contenders from the pretenders and announced who was up for Oscars. There were plenty of surprises, both pleasant and otherwise. Support for Terrance Malick’s masterpiece The Tree of Life was stronger than a lot of people expected, as the film garnered Best Picture and Director nods. Best Actor contained two surprises, as Gary Oldman’s soft spoken spy from Tinker Tailor Solider Spy and Demian Bashir’s illegal immigrant from A Better Life edged out expected frontrunners Leonardo DiCaprio and Michael Fassbender. Melissa McCarthy got a well-deserved nomination for Bridesmaids, but unfortunately Albert Brooks got ignored for his work in Drive. Oh and you guys will love this, 9/11 exploitation-fest Extremely Loud and Incredibly Close somehow got nominated for Best Picture. Predictions and analysis to come, but let’s all remember one thing: the Dean from Community is now an Oscar nominee.

Best Picture
The Artist
War Horse
Moneyball
The Descendants
Tree of Life

Midnight in Paris
The Help
Hugo
Extremely Loud and Incredibly Close

Best Actress
Meryl Streep, The Iron Lady
Viola Davis, The Help
Michelle Williams, My Week With Marilyn
Glenn Close, Albert Nobbs
Rooney Mara, The Girl With the Dragon Tattoo

Best Actor
Jean Dujardin, The Artist
Gary Oldman, Tinker Tailer Soldier Spy
George Clooney, The Descendants
Brad Pitt, Moneyball
Demian Bichir, A Better Life

Best Supporting Actress:
Octavia Spencer, The Help
Bérénice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs

Best Supporting Actor:
Christopher Plummer, Beginners
Kenneth Branagh, My Week With Marilyn
Nick Nolte, Warrior
Jonah Hill, Moneyball
Max Von Sydow, Extremely Loud and Incredibly Close

Best Director
Alexander Payne, The Descendants
Michel Hazanavicius, The Artist
Martin Scorsese, Hugo
Woody Allen, Midnight in Paris
Terrence Malick, Tree of Life

Best Original Screenplay:
Michel Hazanavicius, The Artist
Kristen Wiig and Annie Mumolo, Bridesmaids
J.C. Chandor, Margin Call
Woody Allen, Midnight in Paris
Asgar Farhadi, A Separation

Best Adapted Sceenplay
Alexander Payne, Nat Faxon and Jim Rash, The Descendants
John Logan, Hugo
Aaron Sorkin and Steven Zaillian, Moneyball
George Clooney, Grant Heslov, Beau Willimon, Ides of March
Peter Straughan and Bridget O’Connor, Tinker Tailor Soldier Spy

Best Foreign Language Film
Bullhead
Footnote
Monsieur Lazhar
A Separation
In Darkness

Best Animated Feature
Rango
A Cat in Paris
Puss in Boots
Kung Fu Panda 2
Chico and Rita

The complete list of nominees is up at Vulture.

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So this post is a little overdue. It’s going to be a double review of two movies I saw back-to-back: Sherlock Holmes: A Game of Shadows” and “The Adventures of Tintin”

First up is “Sherlock Holmes: A Game of Shadows”. Where to even begin? I guess I should let you know that I only saw bits and pieces of the first one while on a bus traveling to a rowing event. This meant it had bad sound, I was likely tired and in the process of cutting weight. I came to this movie with fresh eyes (you really don’t need to know much about the first movie to get the plot of this one), so maybe I missed something that would have changed my opinion, but I’m skeptical.

The dialogue is terrible. It’s presented as pithy and witty. But it’s neither. You might get wrapped up in the way it’s acted (which has the airs about it), but don’t be fooled. Just take a look at IMDB’s “Memorable Quotes” page and you’ll get the idea.

The only redeeming quality of this movie is the way it looks. The color of the movie is very cool. Blues and greens pop out creating a look that does seem to evoke a historic feel. The movie also periodically slows things down for certain action scenes, sometimes using a narrative to explain the thought process behind certain movements. This produces some effective scenes that breed excitement. But they are few and far between, and had they been used more, they would have likely lost their charm. The final part of the movie I liked was the abundance of amazing facial hair. It’s just luxurious. It’s hard to go wrong when you have beards like this:

(not even the best one, but no appropriate images are easily available)

Rounding out this post is “The Adventures of Tintin”. Which in my opinion was delightful. It wasn’t perfect, and some parts of the movie seemed to drag a bit for me, but I for one had a good time. When I tell people that I’ve seen the movie, they always ask me what I thought about the animation. “Was it creepy?” or “Was it hard to watch for the entire time?” were the two questions I was asked the most. My response is that it seems so for the first few minutes, but tends to just fall into the background.

(Real)

The plot centers around the first meeting of Tintin and Captain Haddock. The movie merges the plot lines of a few of the different comics to set up the series. In a way, it was somewhat of an overview of the whole series. This provided one of the most interesting features of the movie. Captain Haddock, as any reader of the comics would know, is a terrible alcoholic, and it features prominently into the plot. This is the first kids movie that I recall seeing that features alcohol this prominently. It certainly made for interesting questions from my “Little Brother” Joshua on the way back from the movie. It is brought to attention in the film, but the actions still make it a little fun. I’m guessing most of the readers of this review are over 21 or close. But don’t let the alcohol dissuade you from taking young people to see the movie if it’s appropriate.

Anyways, there are the reviews. See Tintin, don’t see Sherlock. It’s that simple people.

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